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Viewing 211–231 of 231 results.
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Rhiannon Giddens and What Folk Music Means
The roots musician is inspired by the evolving legacy of the black string band.
by
John Jeremiah Sullivan
via
The New Yorker
on
May 13, 2019
Why Is History Always About Humans?
As historians turn their attention to animals, they are shedding new light on what it means to be human.
by
Amy Crawford
via
Boston Globe
on
July 13, 2018
partner
Why Laura Bush Speaking Up on Separating Families Matters So Much
The language that has long been critical to covertly mobilizing activism.
by
Jim Downs
via
Made By History
on
June 20, 2018
A Disgruntled Federal Employee's 1980s Desk Calendar
A nameless Cold Warrior grew frustrated in his Defense Department job, and poured out his feelings in an unusual way.
by
Ted Widmer
via
The Paris Review
on
June 13, 2018
My Secret Summer With Stalin’s Daughter
In 1967, I was in the middle of one of the world’s buzziest stories.
by
Grace Kennan Warnecke
via
Politico Magazine
on
April 29, 2018
The Drill
Dezmond Floyd, age 10, has an open discussion with his mother Tanai about what happens during his school’s active shooter drills.
by
Dezmond Floyd
,
Tanai Benard
via
Story Corps
on
March 23, 2018
Victorian Era
A primary source set and teaching guide created by educators.
by
Tona Hangen
via
Digital Public Library of America
on
February 28, 2018
Touching Sentiment: The Tactility of Nineteenth-Century Valentines
Sentimental or “fancy” valentines, as they were called, were harbingers of hope, fondness, and desire.
by
Christina Michelon
via
Commonplace
on
December 1, 2016
The Lost Civilization of Dial-Up Bulletin Board Systems
A former systems operator logs back in to the original computer-based social network.
by
Benj Edwards
via
The Atlantic
on
November 4, 2016
“Frog and Toad”: An Amphibious Celebration of Same-Sex Love
A series of illustrated children’s books endures as a classic. Was it also the author’s attempt to come out?
by
Colin Stokes
via
The New Yorker
on
May 31, 2016
The Hoodie and the Hijab
Arabness, Blackness, and the figure of terror.
by
Leah Mirakhor
via
Los Angeles Review of Books
on
June 6, 2015
Feeling Versus Fact: Reconciling Ava DuVernay’s Retelling of Selma
“There has never been an honest movie about the civil rights movement,” says civil rights leader Julian Bond.
by
Daniel Judt
via
The Politic
on
March 28, 2015
The Poetics of History from Below
All good storytellers tell a big story within a little story, and so do all good historians.
by
Marcus Rediker
via
Perspectives on History
on
September 1, 2010
Searching for Robert Johnson
In the seven decades since his mysterious death, bluesman Robert Johnson’s legend has grown.
by
Frank DiGiacomo
via
Vanity Fair
on
October 1, 2008
Drive, Jack Kerouac Wrote
"On the Road" is a sad and somewhat self-consciously lyrical story about loneliness, insecurity, and failure. It’s also a story about guys who want to be with other guys.
by
Louis Menand
via
The New Yorker
on
September 24, 2007
Mystic Nights
The making of “Blonde on Blonde” in Nashville, Tennessee.
by
Sean Wilentz
via
Oxford American
on
September 20, 2007
All You Need Is Love
The complex history, career, and legacy of one of America's most popular speakers and reformers.
by
Ronald Steel
via
New York Review of Books
on
June 22, 2006
Willie Nelson at 70
"The Essential Willie Nelson" compilation demonstrates the continuity of Nelson's style across a variety of musical genres.
by
Gene Santoro
via
The Nation
on
October 30, 2003
John McCain, Prisoner of War
John McCain's harrowing account of nearly six years as a North Vietnamese prisoner of war, in his own words.
by
John McCain
via
U.S. News & World Report
on
May 14, 1973
partner
Confronted: A Black Family Moves In
Northern whites reveal their deep-seated prejudice when a black family moves into their neighborhood.
by
WGBH
via
American Archive of Public Broadcasting
on
December 2, 1963
The Case of Sacco and Vanzetti
After Sacco and Vanzetti's final appeal was rejected, Felix Frankfurter, then a professor at Harvard Law School, laid out the many problems with their trials.
by
Felix Frankfurter
via
The Atlantic
on
March 1, 1927
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