Cover of "Liberty Is Sweet," featuring a painting of a man holding a gun to two soldiers on horseback.

Fighting the American Revolution

An interview with Woody Holton on his new book, "Liberty is Sweet."
Sheet music cover for Civil War marching song "The Bonnie Blue Flag," featuring two flags used by Confederate states.

We Are a Band of Brothers

Why are so many songs of the Confederacy indelibly inscribed in my Yankee memory?
Illustration by Nilé Livingston of the many flags used throughout America as symbols of freedom, patriotism, and protest.

Scars and Stripes

Philadelphia gave America its flag, along with other enduring icons of nationhood. But for many, the red, white and blue banner embodies a legacy of injustice.
Martin Luther King, Jr., Coretta Scott King, and Harry Belafonte near the podium at Montgomery March in 1965.

The “Radical” King and a Usable Past

On Martin Luther King's use of radical ideas to create an understanding of the history of America.
Painting of George Washington in New York, 1783, surrounded by a crowd.

The Many American Revolutions

Woody Holton’s "Liberty is Sweet" charts not only the contest with Great Britain over “home rule” but also the internal struggle over who should rule at home. 
Ida Lewis holding an oar.

Ida Lewis, "The Bravest Woman in America"

In her thirty-two years as the keeper of Lime Rock Lighthouse, Ida Lewis challenged gender roles and became a national hero.
Ocean waves and cloudy skies.

The 1619 Project Unrepentantly Pushes Junk History

Nikole Hannah-Jones' new book sidesteps scholarly critics while quietly deleting previous factual errors.
Illustration of a classroom by Joan Yang.

Why Teachers Are Afraid to Teach History

The attacks on CRT have terrified our educators. But the public school system has always made it hard to teach controversial subjects.
Left: stacks of The 1619 Project books; right: Daryl Michael Scott.

Grievance History

Historian Daryl Scott weighs in on the 1619 Project and the "possibility that we rend ourselves on the question of race."
Illustration of Abraham Lincoln getting ready to give a speech.

Re-imagining the Great Emancipator

How shall a generation know its story, if it will know no other?
Silhouette of a woman's head against a blue and green back drop, with writing within the outline.

The Myth of Agent 355, the Woman Spy Who Supposedly Helped Win the Revolutionary War

A single reference in the historical record has spawned an array of adaptations, most of which overstate the anonymous figure's role in the Culper Spy Ring.
Illustration of Elizabeth Keckley

Elizabeth Keckley's Memoir Behind the Scenes, or, Thirty Years a Slave and Four in the White House

Keckley’s decision to write about her employers from the viewpoint of a household laborer--she was seamstress to Mary Todd Lincoln--enraged audiences.
A stand from 1925, selling William Jennings Bryan's books, featuring a sign reading "Anti-Evolution League: The Conflict, Hell and The High School"

Why the School Wars Still Rage

From evolution to anti-racism, parents and progressives have clashed for a century over who gets to tell our origin stories.
Franz Boas adopts the pose of a wild Hamat̓sa, crouching with outstretched arms and mouth open.

On the Influence of Indigenous Knowledge on Modern Thought

We often associate dance with art and performance, but it is also a way that humans document, interpret, and create history.
Class photo, Geyer, Ohio, 1915
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Lessons from the History Textbook Wars of the 1920s

A century ago, pundits, special interests, and politicians weighed in on what should and shouldn't be taught in history and social studies courses.
Henry Louis Gates Jr.

How Henry Louis Gates, Jr., Helped Remake the Literary Canon

The scholar has changed the way Black authors get read and the way Black history gets told.
Picture of a map in an old history textbook.

Why Wasn't This in My Textbook?

In both versions of this question, the assumption is that there’s a pure history out there somewhere, perhaps with answers in the appendix.
Eighth graders create a group map of the United State.

What Happens to Middle School Kids When You Teach Them About Slavery? Here’s a Vivid Example.

The topic is emotional. That’s not a bad thing.
Cracked wall.

The Danger of a Single Origin Story

The 1619 Project and contested foundings.
Photograph of Sam Chamberlain

Crossing the Blood Meridian: Cormac McCarthy and American History

McCarthy imagined a vast border region where colonial empires clashed, tribes went to war, and bounty hunters roamed.
Postcard image of a painting of the Mayflower at sea.

Looking for an American Myth

The fevered hunt for basic symbols.
A group of white, male college students marching with a Confederate flag at the University of Georgia, 1961
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Politicians Dictating What Teachers Can Say About Racism Can Be Dangerous

College student essays from 1961 underscore why our current trajectory could be devastating.
Four duplicate portrait photos of Judah P. Benjamin.

Biographical Fallacy

The life of Judah Benjamin, a Southern Jew who served in the Confederate government, can tell us only so much about the American Jewish encounter with slavery.
Diver holding stone

The Search for Lost Slave Ships Led This Diver On An Extraordinary Journey

Explorer Tara Roberts took up diving to learn about the human side of a tragic era. She wound up connecting with her family’s inspiring past.
Chart of when Confederate monuments and namings occurred, with peaks in the 1910s and the 1960s.

Whose Heritage? Public Symbols of the Confederacy

A Southern Poverty Law Center study identified over 1,500 publicly-displayed symbols of the Confederacy in the South and beyond.
'In America: Remember' public art installation near the Washington Monument

The Black History Lost to COVID-19

Black history lives in memories and minds. COVID-19 has endangered those traditions.
Image of an older, decorative ash tray.

Mementos Mori

What else is lost when an object disappears?
Collage of a contemporary man encircled by layers of an old map, looking at 19th-century men walking past him.

Those Who Know

On Raoul Peck's "Exterminate all the Brutes" and the limits of rewriting the narrative.
Cameron Maynard stands at attention by the monument to Confederate soldiers at the South Carolina Statehouse on July 10, 2017, in Columbia, S.C.
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What We’ve Gotten Wrong About the History of Reconstruction

The erasure of Black leaders from the most misunderstood period in American history.
Side profile of Nikole Hannah-Jones

What the 1619 Project Means

Nothing could be more toxic to our ongoing effort to build a multiracial democracy than to cast any race as a perennial hero or villain.