Memory  /  Argument

History As End

1619, 1776, and the politics of the past.

Whatever birthday it chooses to commemorate, origins-obsessed history faces a debilitating intellectual problem: it cannot explain historical change. A triumphant celebration of 1776 as the basis of American freedom stumbles right out of the gate—it cannot describe how this splendid new republic quickly became the largest slave society in the Western Hemisphere. A history that draws a straight line forward from 1619, meanwhile, cannot explain how that same American slave society was shattered at the peak of its wealth and power—a process of emancipation whose rapidity, violence, and radicalism have been rivaled only by the Haitian Revolution. This approach to the past, as the scholar Steven Hahn has written, risks becoming a “history without history,” deaf to shifts in power both loud and quiet. Thus it offers no way to understand either the fall of Richmond in 1865 or its symbolic echo in 2020, when an antiracist coalition emerged whose cultural and institutional strength reflects undeniable changes in American society. The 1619 Project may help explain the “forces that led to the election of Donald Trump,” as the Times executive editor Dean Baquet described its mission, but it cannot fathom the forces that led to Trump’s defeat—let alone its own Pulitzer Prize.

The political limits of origins-centered history are just as striking. The theorist Wendy Brown once observed that at the end of the twentieth century liberals and Marxists alike had begun to lose faith in the future. Collectively, she wrote, left-leaning intellectuals had come to reject “a historiography bound to a notion of progress,” but had “coined no political substitute for progressive understandings of where we have come from and where we are going.” This predicament, Brown argued, could only be understood as a kind of trauma, an “ungrievable loss.” On the liberal left, it expressed itself in a new “moralizing discourse” that surrendered the promise of universal emancipation, while replacing a fight for the future with an intense focus on the past. The defining feature of this line of thought, she wrote, was an effort to hold “history responsible, even morally culpable, at the same time as it evinces a disbelief in history as a teleological force.”

Today’s historicism is a fulfillment of that discourse, having migrated from the margins of academia to the heart of the liberal establishment. Progress is dead; the future cannot be believed; all we have left is the past, which must therefore be held responsible for the atrocities of the present. “In order to understand the brutality of American capitalism,” one essay in the 1619 Project avers, “you have to start on the plantation.” Not with Goldman Sachs or Shell Oil, the behemoths of the contemporary order, but with the slaveholders of the seventeenth century. Such a critique of capitalism quickly becomes a prisoner of its own heredity. A more creative historical politics would move in the opposite direction, recognizing that the power of American capitalism does not reside in a genetic code written four hundred years ago. What would it mean, when we look at U.S. history, to follow William James in seeking the fruits, not the roots?

Collection

1619 and its Discontents

Historian Matt Karp offers a critique of the project from the left, taking issue with its "origin-obsessed" history. "How can a history grounded in continuity," he writes, "relate to a politics that demands transformational change?"