Justice  /  Book Excerpt

The Shot That Echoes Still

James Baldwin's dispatch from MLK's funeral foreshadowed an America we may never escape.

The church was packed, of course, incredibly so. Far in the front, I saw Harry Belafonte sitting next to Coretta King. Ralph David Abernathy sat in the pulpit. I remembered him from years ago, sitting in his shirt-sleeves in the house in Montgomery, big, black, and cheerful, pouring some cool, soft drink, and, later, getting me settled in a nearby hotel. In the pew directly before me sat Marlon Brando, Sammy Davis, Eartha Kitt—covered in black, looking like a lost, ten-year-old girl—and Sidney Poitier, in the same pew, or nearby. Marlon saw me, and nodded. The atmosphere was black, with a tension indescribable—as though something, perhaps the heavens, perhaps the earth, might crack. Everyone sat very still. The actual service sort of washed over me, in waves. It wasn’t that it seemed unreal; it was the most real church service I’ve ever sat through in my life, or ever hope to sit through; but I have a childhood hangover thing about not weeping in public, and I was concentrating on holding myself together. I did not want to weep for Martin, tears seemed futile. But I may also have been afraid, and I could not have been the only one, that if I began to weep I would not be able to stop. There was more than enough to weep for, if one was to weep—so many of us, cut down, so soon. Medgar, Malcolm, Martin: and their widows, and their children. Reverend Ralph David Abernathy asked a certain sister to sing a song which Martin had loved—“Once more,” said Ralph David, “for Martin and for me,” and he sat down.

The long, dark sister, whose name I do not remember, rose, very beautiful in her robes, and in her covered grief, and began to sing. It was a song I knew: My Father Watches Over Me. The song rang out as it might have over dark fields, long ago, she was singing of a covenant a people had made, long ago, with life, and with that larger life which ends in revelation and which moves in love.

He guides the eagle through the pathless air.

She stood there, and she sang it. How she bore it, I do not know, I think I have never seen a face quite like that face that afternoon. She was singing it for Martin, and for us.

And surely He Remembers me, My heav’nly Father watches over me.