Walking along the idyllic brick sidewalks of downtown Fredericksburg, Virginia, locals and tourists who pass the Olde Towne Butcher on the corner of William St and Charles St might notice a grayish-brown stone protruding from the sidewalk that is about the size and shape of an overturned bucket. A bronze marker at its base reveals that this stone was formerly used to auction off slaves.
Locals and city officials refer to it colloquially as “the slave block” or “the auction block”. Most peoples’ reaction upon learning of the block’s past is horror.
But for now, the block is not budging. Is Fredericksburg a town full of insensitive racists? Not quite. There are many deeply concerned residents in the town who feel that the slave block is categorically different from the monuments and statues that depict Confederate generals as heroes.
“In this discussion, we are talking about what is the history,” explains the Fredericksburg mayor, Mary Katherine Greenlaw. “We are not talking about a memorial or something that is after the fact or a glorification. This is the history. That is the spot. This is the significant distinction.”
The slave block is not a manmade creation to honor history; it is history. There is no question over the interpretation of the block – it is a living symbol of hate, oppression, and the agony of black families that were physically, mentally, and spiritually brutalized by their white hypocrite oppressors for generations. The question is what to do with all of this.