Justice  /  Film Review

A Striking Moment in American Activism

A new documentary revisits a pivotal week at Gallaudet University in 1988.

In the end, the protest arguably reached its apex not on the grounds of the school but on national television. One of the student leaders, Greg Hlibok, appeared on ABC’s Nightline, opposite Zinser. Along with the Deaf actor Marlee Matlin, he made his case to the host, Ted Koppel, but also to the millions watching at home. Seeing Hlibok on-screen is especially affecting: He is young, inexperienced, and finding his way to his message in real time. He demands respect for himself and his classmates. He gets it. Zinser withdraws, and a Deaf member of the faculty, Irving King Jordan, is appointed.

In some ways, it may be hard to believe that Gallaudet went so long—well more than a century—without a Deaf president, a leader who could intrinsically understand the needs and lives of the students. Although other schools for the Deaf exist, Gallaudet is unique: It draws Deaf people from all over the world and is seen as an oasis where disabled people aren’t othered. I grew up several miles away from the campus, and I’m a hearing person, but I recall as a kid once having a Deaf counselor at basketball camp, someone who hooped at Gallaudet. He was smooth, fast, and confident on the court; I was young, and I remember wondering, sheepishly, how he could play the game at all if he couldn’t hear the whistle. It was a question that didn’t need asking; he managed just fine, and was better than other players his age.

That admittedly basic concept—that Deaf people don’t need hearing people worrying about or patronizing them—is one of the key themes of the film. DiMarco, the documentary’s Deaf co-director, told me over Zoom that, in his first conversation with Guggenheim, he made clear that he didn’t want this project “to be framed as a story of pity.” (DiMarco signed his answers and we communicated through an interpreter.) Guggenheim didn’t need convincing. He had taken a similar approach for his 2023 film Still, which follows Michael J. Fox’s journey with Parkinson’s disease. When making that movie, Fox told Guggenheim “no violins”—meaning no smarm, no Hallmark Channel vibes.