The term “public history” entered my vocabulary only after I moved to the United States, where it designates a well-defined professional field. In Latin America, by contrast, similar practices have long existed without requiring a defined institutional/formal designation. Communities have always engaged in the making and sharing of history through oral traditions, local museums, memory collectives, and neighborhood archives, public talks, among so many others. People have narrated their pasts, not necessarily within academic frameworks, but as acts of survival, resistance, and belonging. These longstanding traditions invite reflection on when and why the need emerged to name such practices “public history”, and what it means when collective forms of remembrance become institutionalized as fields or disciplines.
Public history, as a professionalized field, took shape in the 1970s in English-speaking countries, particularly the United States, as a means to bridge academic research and broader social engagement. As James Gardner and Paula Hamilton note, it encompasses both university-based training and work across museums, heritage sites, government agencies, and digital initiatives. Early definitions emphasized historical practice conducted “outside the ivory tower” for public audiences, but the field has since diversified to include participatory, activist, and civic-oriented approaches. Its growth has been shaped by national contexts, memory politics, and the expansion of heritage industries—each underscoring the social, political, and ethical stakes of historical work in public life.
This institutionalization of public history resonates with ideas articulated much earlier by Carl Becker in his 1931 address to the American Historical Association, Everyman His Own Historian. Becker argued that all humans interpret the past through memory and imagination, and that historical understanding is not the exclusive domain of professionals but part of a shared human effort to make sense of experience. Recognizing this broader agency calls for humility rather than gatekeeping—a lesson that resonates with practices in Mexico, where the work of cronistas—local historians and chroniclers devoted to preserving the histories of towns and municipalities—has long been central to civic and cultural life.
Within Latin America, scholars and historians—especially those working in public institutions—often see their research as part of a reciprocal relationship with the communities that ultimately fund and sustain their work. This reciprocation, and therefore responsibility, reflects a broader understanding that history is not produced solely by, and for, academic peers but also for the publics who inhabit and inherit its narratives. Such accountability offers an important lesson for public history internationally: that historical practice flourishes when it remains responsive to the people and places it seeks to represent.