Power  /  First Person

Oppenheimer, Nullified and Vindicated

The inventor of the atomic bomb, the subject of Christopher Nolan’s new film, was the chief celebrity victim of the national trauma known as McCarthyism.

“Architect of Atomic Bomb Cleared of ‘Black Mark.’ ” That was the headline last December 18th, when the Times ran a long story on page 16 reporting that Secretary of Energy Jennifer Granholm had “nullified a 1954 decision to revoke the security clearance of J. Robert Oppenheimer, a top government scientist who led the making of the atomic bomb in World War II but fell under suspicion of being a Soviet spy at the height of the McCarthy era.” Granholm had issued a press release explaining that her department had been “entrusted with the responsibility to correct the historical record and honor Dr. Oppenheimer’s ‘profound contributions to our national defense and scientific enterprise at large.’ ” She said that she was pleased to announce the nullification.

The Times’ veteran reporter on things nuclear, William J. Broad, went on to summarize Oppenheimer’s life story and his downfall at the height of the Cold War: “Until then a hero of American science, he lived out his life a broken man and died in 1967 at the age of 62.” But, even in 1954, it was clear to most readers of the trial transcripts, leaked to the Times that spring, that the security hearing was a kangaroo court and that Oppenheimer had been publicly humiliated for political reasons. The “father of the atomic bomb” had to be silenced because he was opposing the development of the hydrogen “super” bomb. Ever since, historians have regarded him as the chief celebrity victim of the national trauma known as McCarthyism.

So why now, sixty-eight years after the infamous security hearing, and fifty-five years after Oppenheimer’s death, did the Biden Administration find the courage to do the right thing? Governments rarely apologize for their errors. How did this decision happen? True, the director Christopher Nolan has a major motion picture coming out this summer called “Oppenheimer.” But, contrary to popular myth, Hollywood’s influence in Washington is limited, particularly when it comes to the nuclear-security establishment.

Here is the wholly improbable story.