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Author Sanora Babb, with her husband James Wong Howe, in their library.

The Woman Who Defined the Great Depression

John Steinbeck based “The Grapes of Wrath” on Sanora Babb’s notes. But she was writing her own American epic.
Lyndon B. Johnson and Lady Bird Johnson visit the Fletcher family in Inez, Kentucky, in 1964.

Who’s to Blame for White Poverty?

Dismantling it requires getting the story right.
Volunteers at Big Creek Missions in Leslie County, Kentucky

Mr. Rogers’ Neighborhood

I’ve been going back to eastern Kentucky for over a decade. Since 2016, something there has changed.
A man walking down an unpaved street in an impoverished Appalachian neighborhood.

What the Best Places in America Have in Common

The Index of Deep Disadvantage reflects a more holistic view of how we can define "poverty."
Photo of young woman looking at camera in blue-walled room. Above her an image of Jesus Christ is framed. Through the room's window a shirtless man can be seen on a porch, also facing the camera

Left Behind

J.D. Vance's "Hillbilly Elegy" and Steven Stoll's "Ramp Hollow" both remind us that the history of poor and migratory people in Appalachia is a difficult story to tell.

A Cursed Appalachian Mining Town

An intimate portrait of a once-prosperous town in a forgotten corner of America.
Jimmy Carter speaking into a microphone in front of a crowd.

Unwavering

You can argue over whether Jimmy Carter was America’s greatest president, but he was undoubtedly one of the greatest Americans to ever become president.
Foggy hills in Appalachia.

Love in the Time of Hillbilly Elegy: On JD Vance’s Appalachian Grift

Justin B. Wymer knows a snake when he sees one.
Photo of a homeless person sleeping on the street wrapped in a blanket on top of cardboard.
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A Blueprint From History for Tackling Homelessness

During the New Deal, the U.S. knew that economic recovery depended upon housing.
Grant Wood’s sister, Nan Wood Graham, and his dentist, Byron McKeeby, stand by the painting for which they had posed, “American Gothic.”

Beyond the Myth of Rural America

Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.
Jewish headstones in an abandoned graveyard in North Dakota.

In North Dakota, Endless Sky, A Few Gravestones, and the Remnants Of A Little-Known Jewish History

While most Jewish immigrants flocked to urban centers, a few -- like the Greenbergs -- tried their luck as homesteaders.
Black and white photograph of a man. The main has his hair styled to point upwards, and a tattoo of the word Mississippi on his back.

Where Does the South Begin?

A new history cuts against stereotypes, to show a region constantly changing—and whose future is up for grabs.
Henry Holt, a farmer near Black River Falls, Wisconsin, in 1937, who was moved off land by the Resettlement Administration.

How the Government Helped White Americans Steal Black Farmland

There was once a thriving Black middle class based on farm ownership. But during the twentieth century, the USDA helped erase that source of wealth.
Photo of a man lying face down on a bed under a coat, and a sad woman sitting in a chair next to him. There is a hole punched out of the center of the photo.

The Kept and the Killed

Of the 270,000 photos commissioned to document the Great Depression, more than a third were “killed.” Explore the hole-punched archive and the void at its center.
Rural front lawn with a Trump sign.
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Our Urban/Rural Political Divide is Both New — And Decades In The Making

Policies dating to the 1930s have helped shape the conflict defining today’s politics.
Building with a currogated tin facade and sign saying "Richard Perkins Contractor"

The Anti-Nostalgia of Walker Evans

A recent biography reveals the many contradictions of the photographer who fastidiously documented postwar American life.
Map of the Appalachian mountain range

The Making of Appalachian Mississippi

“Mississippi’s white Appalachians may have owned the earth, but they could never own the past.”

Living with Dolly Parton

Asking difficult questions often comes at a cost.

The Body in Poverty

The decline of America’s rural health system and its toll on my family.
Drawing of two laborers in a vast agricultural field with a farmhouse in the background.

A Family From High Plains

Sappony tobacco farmers across generations, and across state borders, when North Carolina and Virginia law diverged on tribal recognition, education, and segregation.
Black family on their front porch in West Virginia.

These Photos Will Change the Way You Think About Race in Coal Country

The myth that Appalachia is uniformly White lingers, but communities of “Affrilachians” were documented in the 1930s.
Political cartoon of the Populist Party python eating the Democratic Party donkey.

Historians Have Long Thought Populism Was a Good Thing. Are They Wrong?

Today’s populist resurgence has us rethinking the role these movements play in U.S. politics.

A Hillbilly Syllabus

“Some people call me Hillbilly, Some people call me Mountain Man; Well, you can call me Appalachia, ’Cause Appalachia is what I am.” —Del McCoury

Coal No Longer Fuels America. But the Legacy — and the Myth — Remain.

Coal country still clings to the industry that was long its chief source of revenue and a way of life.
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How our Appetite for Cheap Food Drove Rural America to Trump

Consumer demand and government policy decimated rural America.

Patterns Of Death In The South Still Show The Outlines Of Slavery

Blacks continue to die younger than people in other groups in the Black Belt.
Bob Dylan.

Legacy of a Lonesome Death

Had Bob Dylan not written a song about it, the 1963 killing of a black servant by a white socialite’s cane might have been long forgotten.
Kwame Ture at at a 1966 Mississippi Press Conference. Public Domain.
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Stokely Carmichael Interview

A field secretary of SNCC discusses the importance of maintaining political power inside communities at the county level.
Photograph of Martin Luther King Jr. speaking into microphones.

Let Justice Roll Down

"Those who expected a cheap victory in a climate of complacency were shocked into reality by Selma."
Reenactors working with performance artist Dread Scott in 2019 retrace the route of an 1811 rebellion of enslaved people in Louisiana.

My Gun Culture Is Not Your Gun Culture

In Black Southern life, guns have been a sign of readiness against constant threats.

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