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Editing Donald Trump

What I saw as the editor of “The Art of the Deal,” the book that made the future President millions of dollars and turned him into a national figure.
Toni Morrison holding a manuscript.

She Was the Greatest Author of Her Generation. She Should Be Remembered for More Than Her Writing.

Toni Morrison was an editor for 12 years, even as she wrote her own masterpieces. I spoke to her authors about being edited by an icon.
The original cover sketch of "Cars and Trucks and Things That Go," by Richard Scarry, with cartoon animals in vehicles.

On Richard Scarry and the Art of Children's Literature

Scarry’s guides to life both reflected and bolstered kids’ lived experience, and in some cases even provided the template for it.
Illustration of a literary rejection letter.

There Is No Point in My Being Other Than Honest with You: On Toni Morrison’s Rejection Letters

Autopsies of a changing publishing industry; frustrations with readers' tastes; and sympathies for poets and authors drawn to commercially hopeless genres.
Invisible Man book cover with Ralph Ellison on the back

Broke and Blowing Deadlines

How Ralph Ellison got Invisible Man into the canon.
Sanora Babb

The Woman Who Would Be Steinbeck

John Steinbeck beat Sanora Babb to the great American Dust Bowl novel—using her field notes. What do we owe her today?
A hand-drawn, slightly abstract image of a pink typewriter, using a QWERTY keyboard.

Page Against the Machine

Dan Sinykin’s history of corporate fiction.
Blanche and Alfred Knopf

Toward the Next Literary Mafia

Understanding history can help us understand what will be necessary if we’re serious about finally having a more diverse, less exclusionary publishing industry.
Illustration of multiple people drawing the same cover of a book

Big Publishing Killed the Author

How corporations wrested creative control from writers and editors—to produce less interesting books.
A sea of people at Woodstock.

The Book That Began as an Acid-Fueled Speech at Woodstock

When Pete Townshend whacked Abbie Hoffman offstage.

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