Lawd, Mah Man's Leavin' by Archibald Motley Jr.

How Should We Understand the Shocking Use of Stereotypes in the Work of Black Artists?

It's about the satirical tradition of 'going there.'
Jacob Lawrence.

Jacob Lawrence Went Beyond the Constraints of a Segregated Art World

Jacob Lawrence was one of twentieth-century America’s most celebrated black artists.
Duncanson landscape painting

Robert S. Duncanson Charted New Paths for Black Artists in 19th-Century America

Deemed “the greatest landscape painter in the West,” he achieved rare fame in his day.
Fugitive slaves riding on horseback.

The Black Collectors Who Championed African-American Art during the U.S. Civil War

Dorsey and Thomas amassed important collections at a time when the future of chattel slavery and Black life hung in the balance of a national quarrel.
Gordon Park's photograph of law enforcement officers kicking in a door

When Crime Photography Started to See Color

Six decades ago, Gordon Parks, Life magazine’s first black photographer, revolutionized what a crime photo could look like.
Collage by Romare Bearden depicting African Americans in an urban setting

The Many Lives of Romare Bearden

An abstract expressionist and master of collage, an intellectual and outspoken activist, Bearden evolved as much as his times did.

What the Black Dolls Say

These rare survivors of early African-American art can illuminate much about our difficult history.
Still from Black Panther film.

What Would W. E. B. Du Bois Make of 'Black Panther'?

Considering Du Bois' complex ideas on the role of black artists in the struggle against white supremacy.

Teen Idol Frankie Lymon's Tragic Rise and Fall Tells the Truth About 1950s America

The mirage of the singer's soaring success echoes the mirage of post-war tranquility at home.
Painting of "Big Mama Thornton" wearing a suit and cowboy hat, singing on stage.

The Thinning of Big Mama

"Big Mama" does what all blues greats do: she telegraphs endurance and force to whomever out there in TV land might need it. This is blues perfection.
Elizabeth Taylor Greenfield

The Story of Elizabeth Taylor Greenfield, America's First Black Pop Star

The 19th century singer forced critics and audiences to reconcile their ears with their racism.
Kids and adults free dancing.

Camille A. Brown: A Visual History of Social Dance in 25 Moves

Why do we dance? African-American social dances started as a way for enslaved Africans to keep cultural traditions alive and retain a sense of inner freedom.
Charlayne Hunter-Gault, far left, interviewing Black filmmakers Mario Van Peebles, Neema Barnette, John Singleton, Reginald Hudlin, and Warrington Hudlin (left to right).
partner

Soul of Black Identity: New Jack Cinema

A conversation with some of the hottest filmmakers on the scene: They're young, they're Black, but they're making green.
Posters for Beyonce's "Cowboy Carter" album.
partner

History Explains the Backlash to Beyoncé's 'Cowboy Carter'

Black cowboys made up as much as a quarter of working ranch hands during late 19th century. That legacy has been obscured.
Aaron Douglas, detail from painting Aspects of Negro Life: From Slavery to Reconstruction, 1934.

The Cosmopolitan Modernism of the Harlem Renaissance

The world-spanning art of the Harlem Renaissance.
Alice Coltrane

The Visions of Alice Coltrane

In the years after her husband John’s death, the harpist discovered a sound all her own, a jazz rooted in acts of spirit and will.
Maria P. Williams, 1916.

The First Black Woman to Write, Produce, and Act in Her Own Film

Maria P. Williams pioneered filmmaking for African American women, but her life is even more thrilling than her sole film.
Carl Van Vechten's portrait of John A. Williams, 1962.

What Becomes of the Brokenhearted

John A. Williams’s unsung novel.
Bottom half of a red sheet music cover with the words "Sung by Aida Overton Walker with the Smart Set Co" written on it with a portrait of Aida to the right

Sheet Music Covers for the Gotham-Attucks Company, ca. 1905–1911

Beginning in 1905, one star-studded song-publishing company would push the aesthetic limits of how Black popular music was shown to the public.
Nicki Minaj and the autobiography of Malcolm X written by Alex Haley.

It’s Bigger Than Hip-Hop

We cannot understand the last fifty years of U.S. history—certainly not the first thing about Black history—without studying the emergence and evolution of rap.