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African American artists

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The Hidden Story of Two African American Women

An historian discovers the portraits of two women all bound up in the pages of a 19th-century book.
by Martha S. Jones, Kate Clarke Lemay via The Conversation on September 9, 2019
Solange and Beyonce Knowles at the MTV Video Music Awards, 2007.

‘Give It Up For My Sister’: Beyonce, Solange, and The History of Sibling Acts in Pop

Family dynasties are neither new nor newly influential in pop.
by Danielle Amir Jackson via Longreads on May 20, 2019

In "The Haunting of Lin-Manuel Miranda," Ishmael Reed Revives an Old Debate

If “Hamilton” is subversive, the mischievous Reed asks, what is it subverting?
by Hua Hsu via The New Yorker on January 9, 2019
Two posters of the "We Can Do It!" posters with Rosie the Riveter hang on a wall.

Rosie the Riveter Isn’t Who You Think She Is

While the female factory worker is a pop icon now, the “We Can Do It!” poster was unknown to the American public in the 1940s.
by Erick Trickey via Retropolis on September 3, 2018
Woman playing a guitar, and the cover of the book 'Country Music USA.'

‘Country Music … Was Anything BUT Pure’

On the music’s African-American tributaries, its unpredictable politics, country radio’s woman problem, and working on Ken Burns’ forthcoming doc.
by Bill C. Malone, Will Hermes, Tracey Laird via Longreads on August 1, 2018

Story of Paris Hill Man Connects Maine to ‘Complexities’ of Slave Trade

Torn from his family in Africa, Pedro Tovookan Parris spent the last years of his short life in rural Maine.
by Kelley Bouchard via Press Herald on July 15, 2018

As Goes the South, So Goes the Nation

History haunts, but Alabama changes.
by Imani Perry via Harper’s on July 15, 2018

The Stretch Armstrong and Bobbito Show Lives on in the Internet Archive

Episodes from the infamous hip-hop radio show of the '90s.
by Drew Millard via The Outline on May 26, 2018

A Most Violent Year

The world that 1968 ushered in is a far cry from the one activists imagined.
by Alan Wolfe via The New Republic on May 18, 2018
Robert Redford in "The Sting."

Why Are All the Con Artists White?

The history of the black con artist has been forgotten.
by Shane White via Journal of the History of Ideas Blog on April 23, 2018
Mavis Staples singing on stage, head back and hand raised.

Mavis Staples on Prince, Trump, Black Lives Matter, and Her Exercise Regimen

Mavis Staples' lyrics span from the civil-rights-era to today's societal issues.
by Mavis Staples, Elon Green via The New Yorker on September 11, 2017
Orson Welles

A Hundred Years of Orson Welles

He was said to have gone into decline, but his story is one of endurance—even of unlikely triumph.
by Alex Ross via The New Yorker on November 30, 2015

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