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Harry Smith pointing finger upward

Outsider’s Outsider

At once famous and obscure, marginal and central, Harry Smith anticipated and even invented several important elements of Sixties counterculture.
The Fulton Fish Market.

When Your Childhood Belongs to Everyone: Growing Up in a Manhattan That Changed Forever on 9/11

Loft life above the Fulton Fish Market and the day that everything changed.
Black and white photo of the outside of a bar, with "CB GB: OMFUG" written on an overhang, and graffiti and posters on the walls and windows

Real Estate Developers Killed NYC’s Vibrant ’70s Music Scene

In the 1970s and early ’80s, NYC’s racially and ethnically diverse working-class neighborhoods nurtured groundbreaking rap, salsa, and punk music.
A hand-drawn, slightly abstract image of a pink typewriter, using a QWERTY keyboard.

Page Against the Machine

Dan Sinykin’s history of corporate fiction.
Bottom half of a red sheet music cover with the words "Sung by Aida Overton Walker with the Smart Set Co" written on it with a portrait of Aida to the right

Sheet Music Covers for the Gotham-Attucks Company, ca. 1905–1911

Beginning in 1905, one star-studded song-publishing company would push the aesthetic limits of how Black popular music was shown to the public.
Painting of a square, white, house surrounded by trees, shrubbery, and a sidewalk.

Chicago Dream Houses

How a mid-century architecture competition reimagined the American home.
Shadowy photo of a man making scarecrow out of a plastic bag and can.

What Has Been Will Be Again

A new documentary photography project grapples with manifestations of a problematic past resurfacing in present-day Alabama.
Lou Reed playing the guitar in front of an amp

The Brilliant Discontents of Lou Reed

A new biography examines the enigma of the musician.
A pink, fluffy cloud raining colorful cubes, reminiscent of pieces of data.

What Do We Owe? Generosity, Attribution, and the Perilous Invisibility of Research Infrastructure

Attribution can make visible the vast infrastructure of research and display how much hard-won knowledge, including creative endeavor, it has faciliated.
A turntable and records.

What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia

Retro was not the antithesis to the sub- and countercultural experiments of the 1960s, it grew directly out of them.
Washed-out photo of a man, and redacted book cover of "Born Free and Equal."

Seeing Japanese American Heritage Through Ansel Adams’s Lens

A photographer excavates personal history through reconstruction of Adams's World War II photographs of Japanese Americans.
A poster of a colonial man ringing a bell in front of Independence Hall with the words "4 Minute Men" at the top

The US Propaganda Machine of World War I

As the United States prepared to enter World War I, the government created the first modern state propaganda office, the Committee on Public Information.
Illustration of multiple people drawing the same cover of a book

Big Publishing Killed the Author

How corporations wrested creative control from writers and editors—to produce less interesting books.
George C. Wolfe.

George C. Wolfe Would Not Be Dismissed

A conversation with the longtime director about “Rustin,” growing up in Kentucky, and putting on a show.
The Trubek and Wislocki Houses, 1970, Nantucket, Massachusetts, by Denise Scott-Brown and Robert Venturi.

The Historian’s Revenge

The rise and fall of the Shingle Style ideal.
Charlie Chaplin.

A Man Without a Country: On Scott Eyman’s “Charlie Chaplin vs. America”

Our favorite artists may not be our favorite people.
Lou Reed, January 1, 1970.

Lou Reed Didn't Want to Be King

Will Hermes's new biography, "Lou Reed: The King of New York," tries—and fails—to pin the rocker down.
Self-Portrait, by Samuel Joseph Brown Jr., a painting of a Black man looking at a portrait of himself.

A Right to Paint Us Whole

W.E.B. Du Bois’ message to African American artists.
Performers at the 1963 Renaissance Pleasure Faire. Ron Patterson, a co-founder of the event, appears in orange at the far right.

The Surprisingly Radical Roots of the Renaissance Fair

The first of these festivals debuted in the early 1960s, serving as a prime example of the United States' burgeoning counterculture.
The covers of "Romance in Marseille" and "Amiable with Big Teeth" by Claude McCay over a blue blackground splattered with paint.

Zeal, Wit, and Fury: The Queer Black Modernism of Claude McKay

Considering the suppressed legacy of Claude McKay’s two “lost” novels, “Amiable with Big Teeth” and “Romance in Marseille.”
A colorized photo of a woman in the 1850s.

The Past in Color

A short history of hand-colored photos during the Civil War era.
Harry Smith.

‘Cosmic Scholar’ Review: Harry Smith’s Strange Frequencies

Smith collected rare books, paper airplanes, Pennsylvania Dutch tools—and harvested the folk music recordings that changed a generation.
Jim LaBelle, 76, an Indian boarding school survivor.

‘12 Years of Hell’: Indian Boarding School Survivors Share Their Stories

Forced by the federal government to attend the schools, generations of Native American children were sexually assaulted, beaten and emotionally abused.
Artist Vinnie Bagwell's proposal for a Harriet Tubman statue.

Philadelphia Unveils Proposals for New Harriet Tubman Statue

After a year of controversy, the city has narrowed down five options for a monument to the activist and abolitionist.
Artists on the roof of 3-5 Coenties Slip, New York, 1958. Photograph: Hans Namuth

Remembering the Slip: The Manhattan Street that Birthed a Generation of Artists

The tiny downtown passage, where artists burned pallets for warmth, was home to Ellsworth Kelly and Agnes Martin.
The cover of a book, titled "Biography of a Phantom: A Robert Johnson Blues Odyssey", written by Robert "Mack" McCormick.

Delta Force

A look at "Biography Of A Phantom", Robert McCormick's book about blues legend Robert Johnson.
Drawing from "Little Nemo in Slumberland" by Winsor McCay

The Cutting-Edge Cartoons of Winsor McCay

A prolific, meticulous artist, McCay created characters and storyscapes that inspired generations of cartoonists and animators.
An illustration of Anthony Comstock, published in Puck magazine in 1906.

The 150-Year-Old Comstock Act Could Transform the Abortion Debate

Once considered a relic of moral panics past, the 1873 law criminalized sending "obscene, lewd or lascivious" materials through the mail.
A mold for casting color on a Peanuts comic.

The Sunday Funnies’ Colorful History

Look closely—very closely—at a Sunday comic strip in a printed newspaper.
Collage of poets and scoring.

The Gift of Slam Poetry

A short history of a misunderstood literary genre and the world it created.

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