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The Scandalous Legacy of Isabella Stewart Gardner, Collector of Art and Men
Long before the gallery she built was famously robbed, Isabella Stewart Gardner was shocking 19th-century society with her disregard for convention.
by
Lyz Lenz
via
Vice
on
December 3, 2015
Pop Culture Pulsar: Origin Story of Joy Division's Unknown Pleasures Album Cover
The cover's design, a black-and-white data display, traces its origins to the stars.
by
Jen Christiansen
via
Scientific American
on
February 18, 2015
In Living Color: The Forgotten 19th-Century Photo Technology That Romanticized America
People without the means to visit America's wonders could finally picture it for themselves.
by
Ben Marks
via
Collectors Weekly
on
May 23, 2014
History of Survivance: Upper Midwest 19th-Century Native American Narratives
A series of objects of both Native and non-Native origin that tell a story of extraordinary culture disruption.
via
Digital Public Library of America
on
April 16, 2013
When the Wild Imagination of Dr. Seuss Fueled Big Oil
Geisel did not begin his career writing children stories, but selling products.
by
Lisa Hix
via
Collectors Weekly
on
August 17, 2012
Painting the New World
Benjamin Breen examines the importance of John White's sketches of the Algonkin people and the art's relation to the Lost Colony.
by
Benjamin Breen
via
The Public Domain Review
on
April 24, 2012
The Great Illusion of Gettysburg
How a re-creation of its most famous battle helped erase the meaning of the Civil War.
by
Yoni Appelbaum
via
The Atlantic
on
February 6, 2012
Flora and Femininity: Gender and Botany in Early America
Embroidered orchards and peony hair ornaments testify that women were practitioners of floral display, but many women sought knowledge as well as style.
by
Susan Branson
via
Commonplace
on
January 1, 2012
John James Audubon, the American "Hunter-Naturalist"
Audubon drew the attention of the American people to the richness and diversity of nature, helping them see it in national and environmental terms.
by
Gregory H. Nobles
via
Commonplace
on
January 1, 2012
The Sixties Come Back to Life in “Everything Is Now”
J. Hoberman’s teeming history of New York’s avant-garde scene is a fascinating trove of research and a thrilling clamor of voices.
by
Richard Brody
via
The New Yorker
on
June 6, 2025
He’s Lewd, Problematic, and Profoundly Influential
R. Crumb’s cartoons plumb the grotesque corners of the American unconscious.
by
Jeremy Lybarger
via
The New Republic
on
May 20, 2025
At the National Public Housing Museum, an Embattled Idea Finds a Home
Chicago’s latest museum looks to change the narrative around the federally supported housing projects that US cities turned their backs on decades ago.
by
Zach Mortice
via
CityLab
on
April 25, 2025
Ambition, Discipline, Nerve
The qualities that enabled Belle da Costa Greene to cross the color line also made her a formidable negotiator and collector for J.P. Morgan’s library.
by
Heather O’Donnell
via
New York Review of Books
on
April 24, 2025
Modern Babylon: Ziggurat Skyscrapers and Hugh Ferriss’ Retrofuturism
In the early twentieth century, architects turned to a newly discovered past to craft novel visions of the future: the ancient history of Mesopotamia.
by
Eva Miller
via
The Public Domain Review
on
April 9, 2025
America the Beautiful
One hundred years ago, "The Great Gatsby" was first published. It remains one of the books that almost every literate American has read.
by
John Pistelli
via
The Metropolitan Review
on
April 7, 2025
On My Grandfather’s Novel: F. Scott Fitzgerald’s "The Great Gatsby" at 100
Reflections on the literary legacy of a timeless American novel.
by
Eleanor Lanahan
via
Literary Hub
on
April 7, 2025
The Japanese American National Museum Is a Site of Remembrance and Belonging
The Japanese American National Museum embraces the Japanese-American experience in all its permutations.
by
Seph Rodney
via
Hyperallergic
on
April 2, 2025
The Complicated Legacy of Eliot Noyes
Noyes is not a household name, but his evangelism for the notion of design as a holistic strategy is so pervasive that many now take it for granted.
by
Menachem Wecker
via
Humanities
on
April 2, 2025
‘It Reminds You of a Fascist State’: Smithsonian Institution Braces for Trump Rewrite of US History
Normally staid historians sound alarm at authoritarian grasping for control of the premier US museum complex.
by
David Smith
via
The Guardian
on
March 30, 2025
Jamestown Is Sinking
In the Tidewater region of Virginia, history is slipping beneath the waves. In the Anthropocene, a complicated past is vanishing.
by
Daegan Miller
,
Greta Pratt
via
Places Journal
on
March 15, 2025
Chapters and Verse
Looking for the poet between the lines.
by
Jay Parini
via
The American Scholar
on
March 3, 2025
An 1887 Opera by a Black Composer Finally Surfaces
Edmond Dédé’s “Morgiane” shows how diversity initiatives can promote works of real cultural value.
by
Alex Ross
via
The New Yorker
on
February 24, 2025
The Many Guises of Robert Frost
Sometimes seen as the stuff of commencement addresses, his poems are hard to pin down—just like the man behind them.
by
Maggie Doherty
via
The New Yorker
on
February 24, 2025
How Pop Came Out of the Closet
Jon Savage’s “The Secret Public” traces the influence of queer artists on a hostile culture.
by
Samuel Clowes Huneke
via
The New Republic
on
February 14, 2025
Done in by Time
A review of Edwin Frank's short list of great 20th century novels.
by
Joseph Epstein
via
Lamp Magazine
on
February 14, 2025
May Days
A new biography of an elusive comic talent.
by
Lizzy Harding
via
Bookforum
on
February 11, 2025
Onward and Upward
Harold Ross founded The New Yorker as a comic weekly. A hundred years later, we’re doubling down on our commitment to the much richer publication it became.
by
David Remnick
via
The New Yorker
on
February 10, 2025
Reclaiming Medievalism
Washington Cathedral’s break with Confederate memory.
by
Richard Utz
via
Medievalists.net
on
January 14, 2025
A New Deal for Architecture
What it conveys is quite specific: grandeur, beauty, dynamism, and power.
by
David Schaengold
via
Compact
on
December 20, 2024
Practical Knowledge and the New Republic
Osgood Carleton and his forgotten 1795 map of Boston.
by
John W. Mackey
via
American Revolutionary Geographies Online
on
December 17, 2024
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