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Collage of Edna Ferber, a still from the film "Giant," and symbols of Texas.

The Carpetbagger Who Saw Texas’s Future

The notion of political realignment in the Lone Star State is older than you think. It goes back to Giant, an acidic novel by Edna Ferber.
by Chris Vognar via The Atlantic on December 9, 2024
Still from "The Apprentice."

The Power Broker: Roy Cohn on Screen

The closeted right-wing operative has become a tragic character in the American repertory.
by Mark Asch via Mubi on December 5, 2024
Painting of Ancient Rome, by Giovanni Paolo Panini, 1757.
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All the World’s America’s Stage — Even Ancient Rome

Gladiator and Gladiator II have little to do with the Roman past. But they have a great deal to do with the American present.
by Jessica Clarke via HNN on December 3, 2024
Virginia Tracy.

Is Virginia Tracy the First Great American Film Critic?

The actress, screenwriter, and novelist’s reviews and essays from 1918-19 display a comprehensive grasp of movie art and a visionary sense of its future.
by Richard Brody via The New Yorker on November 25, 2024
Exhibit

Moving Pictures

Tracing the history of Americans' relationships with the silver screen, from film's earliest days to the cinematic creations of our own times.
A still of Dennis Quaid as Ronald Reagan overlaid on the seal of the United States.

The Thin Line Between Biopic and Propaganda

The success of “Reagan” reflects the market demands of a more fragmented moviegoing public—and reality.
by Zach Schonfeld via The Atlantic on November 18, 2024
Scene from "Smokey and the Bandit" of Burt Reynolds talking on a CB radio.

"A Long Way to Go and a Short Time to Get There"

In the 1970s, trucker films like "Smokey and the Bandit" celebrated rebellious, working-class solidarity and freedom, with complex politics at play.
by Adrian Daub via Dreams in the Which House on November 3, 2024
A drawing of a skeletal hand erupting from the ground and separating a house with a Harris/Walz sign and a house with a Trump/Vance sign. Face masks float in the wind.

There’s a Very Specific Issue Haunting This Election. No One Is Talking About It.

You can bury it. But you can’t escape it.
by Grady Hendrix via Slate on October 31, 2024
Leatherface swinging a chainsaw branded with the American flag.

It Might Be the Scariest Movie Ever Made. There’s Never Been a Better Time to Watch It.

The vibes right now are very "Texas Chain Saw Massacre."
by Emily C. Hughes via Slate on October 29, 2024
Screen shot from Carrie in which a bloody hand grabs a girl.

The Startling History of the Jump Scare

From 1942's "Cat People" to cerebral jolts in "Hereditary" and "Get Out," this cinematic scare tactic still shocks.
by Gavia Baker-Whitelaw via Atlas Obscura on October 28, 2024
Photo by Ralph Ellison of men standing by a street in New York City.

Ralph Ellison’s Alchemical Camera

The novelist's aestheticizing impulse contrasts with the relentless seriousness of his observations and critiques of American society.
by Jed Perl via New York Review of Books on October 17, 2024
People protesting the demolition of homes to make way for the performing arts saying "shelter before culture."

Lincoln Center Destroyed Lives for the Sake of the Arts

The terrific new doc “San Juan Hill” chronicles the 1960s land grab that gave the Metropolitan Opera a home, while scattering longtime residents.
by Elizabeth Zimmer via Village Voice on October 3, 2024
Henry Fonda

Straight Shooter

"Henry Fonda for President" more than makes the case for Fonda’s centrality in the American imaginary.
by J. Hoberman via Art Forum on October 1, 2024
Ronald Reagan

What If Ronald Reagan’s Presidency Never Really Ended?

Anti-Trump Republicans revere Ronald Reagan as Trump’s opposite—yet in critical ways Reagan may have been his forerunner.
by Daniel Immerwahr via The New Yorker on September 9, 2024
Ray Bradbury and John Huston look at a script.

I … Am Herman Melville!

The story of the tempestuous collaboration of Ray Bradbury and John Huston on the production of the 1956 movie “Moby Dick.”
by Sam Weller via Los Angeles Review of Books on September 5, 2024
Two drawn caricatures of Ronald Reagan's face.

I’m a Historian of the ’80s. I Cannot Tell You How Bizarre the New Ronald Reagan Movie Is.

There’s hagiography, then there’s...whatever this is.
by Paul M. Renfro via Slate on September 3, 2024
Still from a "Between the Temples," showing a man and woman lying opposite each other.

How Resilient Are Jewish American Traditions?

"Between the Temples" tackles the anxieties around cultural assimilation—and finds continuity among very different generations.
by Mark Asch via The Atlantic on August 30, 2024
JD Vance, along with characters from the Scorsese movie "Gangs of New York," shown over a background of a map of New York City

JD Vance is Just Another Know Nothing Nativist

MAGA has been a largely white movement of non-urban people who seem to think that people unlike them are scary and that there is only safety in homogeneity.
by Rebecca Solnit via Literary Hub on August 23, 2024
Still from the film Medium Cool, 1969.

That Ain't Cool

Capturing the 1968 DNC.
by Sammy Feldblum via The Baffler on August 20, 2024
Still from Midnight Cowboy of a man with a gun in Times Square.

How the Movies Captured Times Square’s Grimy Golden Age

Times Square’s decline can be dated to the Depression, but it wasn’t until the 1970s that the bottom fell out.
by Nathaniel Rich via Current [The Criterion Collection] on July 25, 2024
A pixellated landscape of buildings, spaceships, and the moon form the background of the coverpage for this article, titled "How Sci-Fi Worlds Have Changed WIth Us"

Who Killed the World?

Explore science fiction worlds from the last few decades – and what these fictional settings tell us about ourselves.
by Alvin Chang via The Pudding on July 12, 2024
Richard Dreyfuss plays shark expert Hooper in Steven Spielberg’s classic 1975 film, “Jaws.”

The Stories Hollywood Tells About America

How three movies set on the Fourth of July reproduce popular myth, but reveal even more through what they leave unsaid.
by Emily Tamkin via New Lines on July 4, 2024
Four men posing with a monument with the Ten Commandments engraved on it.

Thou Shalt Not

How a Hollywood marketing campaign was responsible for the Ten Commandments being displayed in public all across the country.
by Kevin M. Kruse via Campaign Trails on June 19, 2024
Scene from The Burning, 1981.

Why Are So Many Horror Movies Set at Summer Camp?

Isolation and a heady mix of hormones and fear provide the perfect setting for bloody revenge.
by Gavia Baker-Whitelaw via Atlas Obscura on June 17, 2024
Gene Siskel and Roger Ebert giving two thumbs up.

When the Movies Mattered

Siskel and Ebert and the heyday of popular movie criticism.
by Annie Berke via The Yale Review on June 12, 2024
A drawing of a television screen between the fingers of someone framing an image of barbed wire.

The Problem With TV's New Holocaust Obsession

From 'The Tattooist of Auschwitz' to 'We Were the Lucky Ones,' a new wave of Holocaust dramas feel surprisingly shallow.
by Judy Berman via TIME on May 8, 2024
Marlon Brando on the set of 'One-Eyed Jacks,' 1961.

Brando Unmatched

The legendary actor left a mark in both film history and an industry fraught with self-regard.
by Giancarlo Sopo via The Dispatch on April 27, 2024
Clara Bow

Taylor Swift’s Homage to Clara Bow

The star of the 1920s silver screen who appears on Taylor Swift’s new album abruptly left Hollywood at the height of her success.
by Deirdre Clemente, Annie Delgado via The Conversation on April 15, 2024
A masculine caricature of an Irish-American woman threatening an American woman in a kitchen.
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From Saint to Stereotype: A Story of Brigid

Caricatures of Irish immigrants—especially Irish women—have softened, but persist in characters whose Irishness is expressed in subtle cues.
by Melanie Beth Curran, Margaret Lynch-Brennan, M. Alison Kibler, Peter Flynn via JSTOR Daily on March 27, 2024
Cesar Chavez standing next to Luis Valdez.

Cesar Chavez, Family and Filmmaking with Luis Valdez

Luis Valdez on his friendship with Cesar Chavez, his works in the National Film Registry, and a lifetime of activism.
by Luis Valdez, Stacie Seifrit-Griffin via Library of Congress Blog on March 27, 2024
A collage of suggestive images of women, a woman holding a camera, and a red letter X.

How Candida Royalle Set Out to Reinvent Porn

As a feminist in the adult-film industry, she believed the answer wasn’t banning porn; it was better porn.
by Margaret Talbot via The New Yorker on March 18, 2024
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