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Viewing 91–103 of 103 results. Go to first page
When Tom Cruise starred in Top Gun in 1986, it wasn’t just a box office bonanza — it was a boon to the US military. Paramount Pictures

Hollywood and the Pentagon: A Love Story

For the Pentagon, films like "Top Gun: Maverick" are more than just a movie.
by Alissa Wilkinson via Vox on May 27, 2022
Sly Stone performing in front of crowd

What the Harlem Cultural Festival Represented

Questlove’s debut as a director, the documentary "Summer of Soul," revisits a musical event that encapsulated the energies of Harlem in the 1960s.
by David Hajdu via The Nation on July 29, 2021
A chipping mural depicting Fred Hampton, subject of the film Judas and the Black Messiah.

History Lessons on Film: Reconsidering Judas and the Black Messiah

Historians should watch films like Judas and the Black Messiah as much for their filmmaking as their history making.
by Nathalie Barton via Perspectives on History on June 3, 2021

What's Going On? 50 Years Ago, The Answer Was Bigger Than Marvin Gaye

In 1971, a wave of Black artists released explosive new work that put its politics front and center.
by Mark Anthony Neal via NPR on May 21, 2021
partner

Covid-19 Changed the Way We Watch Movies. The 1918 Pandemic Set the Stage

The 1918 flu pandemic helped to usher in the Hollywood studio system. Could Covid-19 transform the industry?
via Retro Report on April 21, 2021
Artwork that says "Bury me fiercely" and features imagery of a face mask and cross

You Are Witness to a Crime

In ACT UP, belonging was not conferred by blood. Care was offered when you joined others on the street with the intent to bring the AIDS crisis to an end.
by Debra Levine via The Baffler on January 5, 2021
A portrait of Olivia Ramirez, 22, a full-time nanny in Tulsa.

For the Osage Nation, Photography Has Harmed—and Healed

In rural Oklahoma, an Osage photographer creates portraits of resilience.
by Rachel Brown, Ryan Redcorn via National Geographic on May 19, 2020
A photo of William Faulkner

The Road to Glory: Faulkner’s Hollywood Years, 1932–1936

Lisa C. Hickman reconstructs William Faulkner’s tumultuous Hollywood sojourn of 1932–1936.
by Lisa C. Hickman via Los Angeles Review of Books on February 27, 2020
Gary Cooper and Barbara Stanwyck in Meet John Doe.
partner

"Meet John Doe" Shows the Darkness of American Democracy

Frank Capra’s 1941 drama carries forward the populist themes of his other movies, only with a much darker premise.
by Kristin Hunt, Glenn Alan Phelps via JSTOR Daily on October 24, 2019
Dr. Strange Love, from the Stanley Kubrick film of the same name

Watching the End of the World

The Doomsday Clock is set to two minutes to midnight. So why don't we make movies about nuclear war anymore?
by Stephen Phelan via Boston Review on June 11, 2019

The Premiere of 'Four Women Artists'

In this 1977 documentary, the spirit of Southern culture is captured through four Mississippi artists who tell their stories.
by Nicole Rudick via The Paris Review on May 29, 2018
Title card for Burns and Novick's Vietnam War documentary.

‘The Vietnam War’: Past All Reason

The new series by Ken Burns and Lynn Novick is mesmerizing. But it doesn’t answer key questions about the Vietnam War.
by Andrew J. Bacevich via The Nation on September 19, 2017
U.S. Marine Corps soldiers usher suspected Viet Cong members through the rubble of a village in 1965.

Ken Burns' New Documentary Exposes the Emotion Behind the Vietnam War

An interview with the filmmakers.
by Ken Burns, Lynn Novick, Ryan Bort via Newsweek on September 2, 2017

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