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Covid-19 Changed the Way We Watch Movies. The 1918 Pandemic Set the Stage

The 1918 flu pandemic helped to usher in the Hollywood studio system. Could Covid-19 transform the industry?
Artwork that says "Bury me fiercely" and features imagery of a face mask and cross

You Are Witness to a Crime

In ACT UP, belonging was not conferred by blood. Care was offered when you joined others on the street with the intent to bring the AIDS crisis to an end.
A portrait of Olivia Ramirez, 22, a full-time nanny in Tulsa.

For the Osage Nation, Photography Has Harmed—and Healed

In rural Oklahoma, an Osage photographer creates portraits of resilience.
A photo of William Faulkner

The Road to Glory: Faulkner’s Hollywood Years, 1932–1936

Lisa C. Hickman reconstructs William Faulkner’s tumultuous Hollywood sojourn of 1932–1936.
Gary Cooper and Barbara Stanwyck in Meet John Doe.
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"Meet John Doe" Shows the Darkness of American Democracy

Frank Capra’s 1941 drama carries forward the populist themes of his other movies, only with a much darker premise.
Dr. Strange Love, from the Stanley Kubrick film of the same name

Watching the End of the World

The Doomsday Clock is set to two minutes to midnight. So why don't we make movies about nuclear war anymore?

The Premiere of 'Four Women Artists'

In this 1977 documentary, the spirit of Southern culture is captured through four Mississippi artists who tell their stories.
Title card for Burns and Novick's Vietnam War documentary.

‘The Vietnam War’: Past All Reason

The new series by Ken Burns and Lynn Novick is mesmerizing. But it doesn’t answer key questions about the Vietnam War.
U.S. Marine Corps soldiers usher suspected Viet Cong members through the rubble of a village in 1965.

Ken Burns' New Documentary Exposes the Emotion Behind the Vietnam War

An interview with the filmmakers.

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