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Viewing 31–60 of 153 results.
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The Living Legacy of the Piedmont Blues
The music that grew out of Durham's tobacco manufacturing plants influenced some of the most widely recorded musicians of the last 65 years—and still does.
by
Marc Farinella
via
The Assembly
on
July 14, 2023
Hot Pursuit: The Brief Rise of 1970s Hixploitation Cinema
On the drive-in movie culture that captured a yearning for fast cars on dusty roads.
by
Scott Von Doviak
via
CrimeReads
on
July 11, 2023
The Gumshoes Who Took On the Klan
In the pages of "Black Mask" magazine, the Continental Op and Race Williams fought the KKK even as they shared its love of vigilante justice.
by
Matthew Wills
via
JSTOR Daily
on
May 24, 2023
Is Writing History Like Solving a Mystery?
Why historians like to think of themselves as detectives.
by
Carolyn Eastman
via
Slate
on
May 21, 2023
Mae West and Camp
A camp diva, a queer icon, and a model of feminism—the memorable Mae West left behind a complicated legacy, on and off the stage.
by
Betsy Golden Kellem
via
JSTOR Daily
on
April 26, 2023
The Lost Music of Connie Converse
A writer of haunting, uncategorizable songs, she once seemed poised for runaway fame. But only decades after she disappeared has her music found an audience.
by
Jeremy Lybarger
via
The New Republic
on
April 24, 2023
The Gaucho Western
When Hollywood went down Argentine way.
by
Federico Perelmuter
via
Lapham’s Quarterly
on
January 23, 2023
original
The Life of Song
What the surprising career of Bob McGrath teaches us about popular music.
by
Kathryn Ostrofsky
on
December 14, 2022
Sex, Race, and Gender in Bounce Music Culture
Bounce is defined by its “up-tempo, call-and-response, heavy base, ass-shaking music” and by its transgressively liberatory power.
by
Hettie Williams
via
Black Perspectives
on
October 25, 2022
The Illusion of the First Person
The personal essay is the purest expression of the lie that individual subjectivity exists prior to the social formations that gave rise to it.
by
Merve Emre
via
New York Review of Books
on
October 11, 2022
“Mother Will Be Pleased”: "How It Feels to Be Run Over" (1900)
One of the earliest uses of intertitles, in this fin-de-siècle accident picture we can observe cinema discovering new forms of communication.
by
Hunter Dukes
via
The Public Domain Review
on
October 6, 2022
Scratch Cyborgs: The Hip-Hop DJ as Technology
Hip-hop DJ culture provides a rich site for exploring how culture and industry can converge and collaborate, as well as how they need each other to move forward.
by
André Sirois
via
The MIT Press Reader
on
September 22, 2022
Bad Bunny and the Political History of Reggaeton
The genre is the product of migration, rebirth, and the struggle to be heard.
by
Catherine Osborn
via
Foreign Policy
on
September 2, 2022
The Women Who Built Grunge
Bands like L7 and Heavens to Betsy were instrumental to the birth of the grunge scene, but for decades were treated like novelties and sex objects.
by
Lisa Whittington-Hill
via
Longreads
on
June 29, 2022
Gertrude Stein's Pulp Fiction
It has taken decades for an appreciation of Stein’s crime fiction to really take hold.
by
Gertrude Stein
,
Cornelius Fortune
,
Mark McGurl
,
Brooks Landon
via
JSTOR Daily
on
June 22, 2022
A Prophecy Unfulfilled?
What a new book and six companion videos have to say about the fate of Black classical music in America.
by
Mark N. Grant
via
The American Scholar
on
April 2, 2022
American Captivity
The captivity narrative as creation myth.
by
Ed Simon
via
The Hedgehog Review
on
March 1, 2022
Novel Transport
The anatomy of the “orphan train” genre.
by
Kristen Martin
via
Lapham’s Quarterly
on
November 1, 2021
Television Genres Over Time
Here’s how the distribution of genres has changed since 1945 up to present.
by
Nathan Yau
via
FlowingData
on
October 26, 2021
Guiding Lights: On “Her Stories: Daytime Soap Opera and US Television History”
Annie Berke reviews Elana Levine's book on a pivotal genre and its diverse fandom.
by
Annie Berke
via
Los Angeles Review of Books
on
October 19, 2021
‘It Didn’t Adhere to Any of the Rules’: The Fascinating History of Free Jazz
In the documentary "Fire Music," the hostile reaction that met the unusual genre soon turns into deep appreciation and a lasting influence.
by
Jim Farber
via
The Guardian
on
September 7, 2021
The Shadow Over H.P. Lovecraft
Recent works inspired by his fiction struggle to reckon with his racist fantasies.
by
Siddhartha Deb
via
The New Republic
on
March 19, 2021
partner
The Crossroads Facing Country Music After Morgan Wallen’s Use of a Racist Slur
Will the industry remain a bastion of conservatism, or take advantage of the opportunity to broaden its base?
by
Amanda Marie Martinez
via
Made By History
on
February 17, 2021
A Pool of One’s Own
Group biographies and the female friendship vogue.
by
Noelle Bodick
via
The Drift
on
January 28, 2021
How Sci-Fi Shaped Socialism
Sci-fi has long provided an outlet for socialist thinkers — offering readers a break from capitalist realism and allowing us to imagine a different world.
by
Nick Hubble
via
Jacobin
on
December 18, 2020
How Weird Was Frank Zappa?
Alex Winter’s new documentary about the musician fails to capture his deeply conventional streak.
by
John Semley
via
The New Republic
on
November 26, 2020
The Radical Origins of Self-Help Literature
How did the genre of self-help go from one focused on collective empowerment to one serving the class hierarchy as it stands?
by
Jennifer Wilson
via
The Nation
on
November 17, 2020
The Romance of American Clintonism
The politically complacent ’90s produced a surprisingly large number of mainstream American rom-coms about fighting the Man.
by
Meagan Day
via
Jacobin
on
October 21, 2020
The Forever War Over War Literature
A post-9/11 veteran novelist explores a post-Vietnam literary soiree gone bad, and finds timeless lessons about a contentious and still-evolving genre.
by
Matt Gallagher
via
The New Republic
on
July 17, 2020
Rewriting Country Music's Racist History
Artists like Yola and Rhiannon Giddens are blowing up what Giddens calls a “manufactured image of country music being white and being poor.”
by
Elamin Abdelmahmoud
via
Rolling Stone
on
June 5, 2020
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