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Joan Mitchell, Helen Frankenthaler, and Grace Hartigan

How New York’s Postwar Female Painters Battled for Recognition

The women of the historic Ninth Street Show had a will of iron and an intense need for their talent to be expressed, no matter the cost.
by Claudia Roth Pierpont via The New Yorker on October 1, 2018
Two posters of the "We Can Do It!" posters with Rosie the Riveter hang on a wall.

Rosie the Riveter Isn’t Who You Think She Is

While the female factory worker is a pop icon now, the “We Can Do It!” poster was unknown to the American public in the 1940s.
by Erick Trickey via Retropolis on September 3, 2018
Bottles of powdered pigments.

Treasures from the Color Archive

The historic pigments in the Forbes Collection include the esoteric, the expensive, and the toxic.
by Simon Schama via The New Yorker on August 27, 2018
Section of "A Whaling Voyage 'Round The World," depicting three ships, with whales and sailors in rowboats in the water

Did North America's Longest Painting Inspire Moby-Dick?

Herman Melville likely saw the panorama “Whaling Voyage,” which records the sinking of the whaler Essex, while staying in Boston in 1849.
by Allison C. Meier, Robert L. Carothers, John L. Marsh, Kevin J. Avery, Nenette Luarca-Shoaf, Henry F. Pommer via JSTOR Daily on June 20, 2018
Mural painting of people on a subway.

The Muralist and Enumerator

How a census taker and an artist were participants to the grand project of displaying and explaining America to itself.
by Dan Bouk via Census Stories, USA on June 2, 2018

My Dad Painted the Cover for Jethro Tull's 'Aqualung,' and It's Haunted Him Ever Since

His quest to receive proper compensation illuminates the struggle for artists’ rights.
by Robert Silverman via The Outline on May 10, 2018

Can Art Museums Help Illuminate Early American Connections To Slavery?

New labels at the Worcester Art Museum are drawing attention to the connections between art, slavery, and wealth in early America.
by Sarah E. Bond via Hyperallergic on April 25, 2018
Artist Titus Kaphar says that his 2014 Columbus Day Painting—which greets "Unseen" visitors in the first gallery—was inspired by his young son’s conflicted and confusing study of the putative discoverer of America.

Two Artists in Search of Missing History

A new exhibition makes a powerful statement about the oversights of American history and America’s art history.
by Alicia Ault via Smithsonian on April 4, 2018

How Portraiture Gave Rise to the Glamour of Guns

American portraiture with its visual allure and pictorial storytelling made gun ownership desirable.
by Kim Sajet via Smithsonian on March 23, 2018

From Yosemite to Bears Ears, Erasing Native Americans From U.S. National Parks

150 years after Yosemite opened to the public, the park's indigenous inhabitants are still struggling for recognition.
by Hunter Oatman-Stanford via Collectors Weekly on January 26, 2018

The Civil War Sketches of Adolph Metzner (1861–64)

The remarkable collection of sketches, drawings and watercolors left to us by a Civil War veteran.
via The Public Domain Review on November 2, 2017
Advertisement for Art War Relief during the First World War

Edith Magonigle and the Art War Relief

Called Art War Relief, members from a group of art societies formed a coalition under the auspices of the American Red Cross.
by Tal Nadan via The New York Public Library on July 20, 2017
Vivien Leigh, Clark Gable, Olivia de Havilland, and Mayor Hartsfield at the Cyclorama

Cyclorama: An Atlanta Monument

The history of Atlanta's first Civil War monument may reveal how to deal with them in the present.
by Daniel Judt via Southern Cultures on June 22, 2017
William Gropper's map of American folklore.

A Popular '40s Map of American Folklore Was Destroyed by Fears of Communism

The government saw Red when looking at William Gropper's painting of the United States.
by Kyle Carsten Wyatt via Atlas Obscura on March 27, 2017
Painting "Open Casket" by Dana Schultz

Dana Schutz’s ‘Open Casket’

Should white artists be allowed to depict black suffering?
by Adam Shatz via LRB blog on March 24, 2017

"Nature’s Nation": The Hudson River School and American Landscape Painting, 1825–1876

How American landscape painters, seen as old-fashioned and provincial, gained cultural power by glorifying expansionism.
by Linda Ferber via Gilder Lehrman Institute of American History on May 1, 2016
Leyendecker’s distinct cross-hatch style is seen in this 1911 painting for Cluett Dress shirts, featuring a particularly intimate gaze between two gentlemen.

Before Rockwell, a Gay Artist Defined the Perfect American Male

Alfredo Villanueva-Collado on his J.C. Leyendecker collection and the fascinating story behind this oft-neglected male image maker.
by Hunter Oatman-Stanford, Alfredo Villanueva-Collado via Collectors Weekly on August 28, 2012

Painting the New World

Benjamin Breen examines the importance of John White's sketches of the Algonkin people and the art's relation to the Lost Colony.
by Benjamin Breen via The Public Domain Review on April 24, 2012
Paul Philippoteaux's cyclorama of the Battle of Gettysburg depicting the Union and Confederate armies fighting.

The Great Illusion of Gettysburg

How a re-creation of its most famous battle helped erase the meaning of the Civil War.
by Yoni Appelbaum via The Atlantic on February 6, 2012
"Sunrise at Northport Harbor" painting by Arthur Dove.

Unpopular Front

American art and the Cold War.
by Louis Menand via The New Yorker on October 9, 2005
Magazine ad of raccoons playing computer games.

The Raccoons Who Made Computer Magazine Ads Great

In the 1980s and 1990s, PC Connection built its brand on a campaign starring folksy small-town critters. They’ll still charm your socks off.
by Harry McCracken via Technologizer on April 22, 2025
he obverse (right) and reverse (left) of the James H. Hyde Medallion, designed by Paul H. Manship, on the Janvier reduction machine.

Tokens of Culture

On the medallic art of the Gilded Age.
by James Panero via The New Criterion on December 12, 2024
"Winter Scene in Brooklyn," 1820 painting by Francis Guy.

How Brooklyn’s Earliest Black Residents Found Empowerment and Solidarity in Their Diverse Community

The little known history of 19th-century New York City.
by Prithi Kanakamedala via Literary Hub on September 18, 2024
The original cover sketch of "Cars and Trucks and Things That Go," by Richard Scarry, with cartoon animals in vehicles.

On Richard Scarry and the Art of Children's Literature

Scarry’s guides to life both reflected and bolstered kids’ lived experience, and in some cases even provided the template for it.
by Chris Ware via The Yale Review on September 9, 2024
Giovanni Battista Cima da Conegliano, Madonna and Child with Saint Jerome and Saint John the Baptist, ca 1492–95

How Renaissance Art Found Its Way to American Museums

We take for granted the Titians and Botticellis that hang in galleries across the U.S., little aware how and why they were acquired.
by Ashley Couto via JSTOR Daily on August 14, 2024
Ella Watson in American Gothic, photographed by Gordon Parks.

She Was No ‘Mammy’

Gordon Parks’s most famous photograph, "American Gothic," was of a cleaning woman in Washington, D.C. She has a story to tell.
by Salamishah Tillet via The Atlantic on May 8, 2024
Aaron Douglas, detail from painting Aspects of Negro Life: From Slavery to Reconstruction, 1934.

The Cosmopolitan Modernism of the Harlem Renaissance

The world-spanning art of the Harlem Renaissance.
by Rachel Himes via The Nation on April 9, 2024
Collection of colorful, small wooden birds with museum tags.

The Untold History of Japanese American Bird Pins

They were one of the most ubiquitous crafts to come out of Japanese incarceration camps. But few knew their back story — until now.
by Susan Shain via High Country News on April 5, 2024
‘Fifty Shades of White’ by Jaune Quick-To-See Smith.

Remembering the Future

Climate change, colonization, and the Navajo Nation.
by Hazel V. Carby via London Review of Books on March 27, 2024
Grant Wood’s sister, Nan Wood Graham, and his dentist, Byron McKeeby, stand by the painting for which they had posed, “American Gothic.”

Beyond the Myth of Rural America

Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.
by Daniel Immerwahr via The New Yorker on October 16, 2023
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