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Mottled photographs of immigrants set against the Statue of Liberty.

The American Dream 100 Years After the National Origins Act

How a clerk on Ellis Island at the dawn of the 20th century documented discrimination through photography, and what that tells us about today’s malaise.
A drawing of a slave revolt on a ship.

Rare Portraits Reveal the Humanity of the Slaves Who Revolted on the Amistad

William H. Townsend drew the rebels as they stood trial, leaving behind an invaluable record.
Portrait of Ena and Betty Wertheimer by John Singer Sargent, 1901.

Friend of the Family

Jean Strouse explores the relationship between the Anglo-Jewish Wertheimers and John Singer Sargent, who painted twelve portraits of them.
Paintings by John Singer Sargent: Asher Wertheimer, 1898 (left) and Hylda, Almina and Conway, Children of Asher Wertheimer, 1905 (center), London. Portrait of Mrs. Asher B. Wertheimer, 1898 (right).

A Sudden, Revealing Searchlight

On Jean Strouse and the art of biography.
Painting of Mary Ann Tritt Cassell, a woman with pale skin and curled hair wearing a blue shirt with pink bow collar.

An Art Mystery is Solved, and a Historic Portrait Goes on Display

The painting of Mary Ann Tritt Cassell is likely the first known portrait commissioned by an American born into slavery.
Ella Watson in American Gothic, photographed by Gordon Parks.

She Was No ‘Mammy’

Gordon Parks’s most famous photograph, "American Gothic," was of a cleaning woman in Washington, D.C. She has a story to tell.
Young girl triplets wearing identical clothes sitting on a bed.

Posed Riddles

Seeing through empathy with Diane Arbus.
Painting of classical ruins, called the 'Temple of Aphaea, Aegina,' by John Rollin Tilton.

18th- and 19th-Century Americans of All Races, Classes & Genders Looked to the Ancient Mediterranean for Inspiration

In a new land, the ancient past held special meaning.
A.I. image of Benjamin Franklin, Audrey Hepburn and Al Capone if they were alive today.

Photographer Uses AI to Imagine What Historical Icons Would Look Like Today

Some of the stars depicted in Yesiltas’ portraits are instantly recognizable as modern-day sirens, while others are less obvious at first glance.
Photograph of an African American family buying ice cream at a segregated ice cream shop

Gordon Parks' View of America Across Three Decades

Two new books and one expanded edition of Gordon Parks' photographs look at the work of the photographer from the 1940s, 1950s and 1960s.
Side-by-side presidential portraits of George Washington, Bill Clinton, and George W. Bush

The Presidents Who Hated Their Presidential Portraits

Theodore Roosevelt said his made him look like “a mewing cat.” Lyndon Johnson called his “the ugliest thing I ever saw.” Ronald Reagan ordered a do-over.
Daguerrotype of Robert Cornelius.

Portraits of Brotherly Love

Philadelphia portrait studios in the Age of the Daguerreotype (1840-1849).
Group portrait, "Elihu Yale With Members of His Family and an Enslaved Child," 1719.

Who Is the Enslaved Child in This Portrait of Yale University's Namesake?

Scholars have yet to identify the young boy, but new research offers insights on his age and likely background.
A family posing for a picture on a porch

Porch Memories

An architectural historian invites us to sit with her awhile on the American porch.
Indian Congress installation

The Historic Indian Congress is Reunited in Omaha by Artist Wendy Red Star

The Apsáalooke artist has created a major new installation for her solo show at the Joslyn Art Museum using photographs of the 500 delegates taken in 1898.
Charles Milton Bell, Apsáalooke Delegation, 1880.

Apsáalooke Bacheeítuuk in Washington, DC

A case study in re-reading nineteenth-century delegation photography.
Side by side portraits of LL Cool J and John D. Rockefeller, both sitting with left leg crossed over right, right hand on leg.

How a Maverick Hip-Hop Legend Found Inspiration in a Titan of American Industry

When LL Cool J sat for his portrait, he found common ground with the life-long philanthropical endeavors of John D. Rockefeller.
The Bullion Mine, Virginia City, Nevada, in a village at the foot of a mountain.

Gold Diggers on Camera

Creating the myth of the gold rush with the help of daguerreotypists.
Chester Harding

Chester Harding’s My Egotistigraphy (1866)

Privately published memoir of an American portraitist who grew up in a log cabin and went on to paint presidents and Daniel Boone.
Engraving of Harriet Beecher Stowe in profile.

How the Camera Introduced Americans to Their Heroines

A new show at the National Portrait Gallery spotlights figures including Harriet Beecher Stowe, Lucretia Mott and Margaret Fuller.
Emma Grimes Robinson

These Photo Albums Offer a Rare Glimpse of 19th-Century Boston’s Black Community

Thanks to the new acquisition, scholars at the Athenaeum library are connecting the dots of the city’s history of abolitionists.

A Lost and Found Portrait Photographer

What remains of Hugh Magnum's work documents how much was shared in common by people who racist laws treated as separate.

An Itinerant Photographer's Diverse Portraits of the Turn-of-the-Century American South

A new exhibit features photos by Hugh Mangum, whose glass plate negatives were salvaged from a North Carolina barn.

An Outline of Over 200 Years of Silhouettes

The oldest object on view shows on brown paperboard one of the earliest known images of a slave in the U.S.

Rarely Seen 19th-Century Silhouette of a Same-Sex Couple Living Together Goes On View

A new show, featuring the paper cutouts, reveals unheralded early Americans.

Henrietta Lacks, Immortalized

Henrietta Lacks's "immortal" cell line, called "HeLa," is used in everything from cancer treatments to vaccines.

How Portraiture Gave Rise to the Glamour of Guns

American portraiture with its visual allure and pictorial storytelling made gun ownership desirable.

Where the Newly Unveiled Obama Portraits Fit in the History of (Black) Portraiture

An art historian explains how portraits can convey so much more than mere likeness.
Portrait of Edgar Allan Poe.

Edgar Allan Poe and the Power of a Portrait

Edgar Allan Poe knew that readers would add their visual image of the author to his work to create a personality that informed their reading.
Photograph of Chief Iron Tail.

American Indians, Playing Themselves

As Buffalo Bill's performers, they were walking stereotypes. But a New York photographer showed the humans beneath the headdresses.

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