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The American Dream 100 Years After the National Origins Act
How a clerk on Ellis Island at the dawn of the 20th century documented discrimination through photography, and what that tells us about today’s malaise.
by
Yousef O. Bounab
via
New Lines
on
February 17, 2025
Rare Portraits Reveal the Humanity of the Slaves Who Revolted on the Amistad
William H. Townsend drew the rebels as they stood trial, leaving behind an invaluable record.
by
Kate McMahon
via
The Conversation
on
February 3, 2025
Friend of the Family
Jean Strouse explores the relationship between the Anglo-Jewish Wertheimers and John Singer Sargent, who painted twelve portraits of them.
by
Ruth Bernard Yeazell
via
New York Review of Books
on
October 31, 2024
A Sudden, Revealing Searchlight
On Jean Strouse and the art of biography.
by
Ruth Franklin
via
Harper’s
on
October 23, 2024
An Art Mystery is Solved, and a Historic Portrait Goes on Display
The painting of Mary Ann Tritt Cassell is likely the first known portrait commissioned by an American born into slavery.
by
James Johnston
via
Retropolis
on
June 24, 2024
She Was No ‘Mammy’
Gordon Parks’s most famous photograph, "American Gothic," was of a cleaning woman in Washington, D.C. She has a story to tell.
by
Salamishah Tillet
via
The Atlantic
on
May 8, 2024
Posed Riddles
Seeing through empathy with Diane Arbus.
by
Max Norman
via
The Drift
on
February 28, 2023
18th- and 19th-Century Americans of All Races, Classes & Genders Looked to the Ancient Mediterranean for Inspiration
In a new land, the ancient past held special meaning.
by
Sean P. Burrus
via
The Conversation
on
November 21, 2022
Photographer Uses AI to Imagine What Historical Icons Would Look Like Today
Some of the stars depicted in Yesiltas’ portraits are instantly recognizable as modern-day sirens, while others are less obvious at first glance.
by
Pesala Bandara
via
PetaPixel
on
November 14, 2022
Gordon Parks' View of America Across Three Decades
Two new books and one expanded edition of Gordon Parks' photographs look at the work of the photographer from the 1940s, 1950s and 1960s.
by
Robert E. Gerhardt
via
Blind
on
October 28, 2022
The Presidents Who Hated Their Presidential Portraits
Theodore Roosevelt said his made him look like “a mewing cat.” Lyndon Johnson called his “the ugliest thing I ever saw.” Ronald Reagan ordered a do-over.
by
Ronald G. Shafer
via
Retropolis
on
September 7, 2022
Portraits of Brotherly Love
Philadelphia portrait studios in the Age of the Daguerreotype (1840-1849).
by
Rachel Wetzel
via
Library of Congress
on
July 1, 2022
Who Is the Enslaved Child in This Portrait of Yale University's Namesake?
Scholars have yet to identify the young boy, but new research offers insights on his age and likely background.
by
Nora McGreevy
via
Smithsonian
on
October 15, 2021
Porch Memories
An architectural historian invites us to sit with her awhile on the American porch.
by
Federica Soletta
via
The Public Domain Review
on
August 4, 2021
The Historic Indian Congress is Reunited in Omaha by Artist Wendy Red Star
The Apsáalooke artist has created a major new installation for her solo show at the Joslyn Art Museum using photographs of the 500 delegates taken in 1898.
by
Karen Chernick
via
The Art Newspaper
on
February 1, 2021
Apsáalooke Bacheeítuuk in Washington, DC
A case study in re-reading nineteenth-century delegation photography.
by
Wendy Red Star
,
Shannon Vittoria
via
Panorama
on
October 1, 2020
How a Maverick Hip-Hop Legend Found Inspiration in a Titan of American Industry
When LL Cool J sat for his portrait, he found common ground with the life-long philanthropical endeavors of John D. Rockefeller.
by
Alice George
via
Smithsonian
on
July 24, 2020
Gold Diggers on Camera
Creating the myth of the gold rush with the help of daguerreotypists.
by
Jane Lee Aspinwall
via
Lapham’s Quarterly
on
October 28, 2019
Chester Harding’s My Egotistigraphy (1866)
Privately published memoir of an American portraitist who grew up in a log cabin and went on to paint presidents and Daniel Boone.
by
Adam Green
via
The Public Domain Review
on
September 10, 2019
How the Camera Introduced Americans to Their Heroines
A new show at the National Portrait Gallery spotlights figures including Harriet Beecher Stowe, Lucretia Mott and Margaret Fuller.
by
Meilan Solly
via
Smithsonian
on
July 9, 2019
These Photo Albums Offer a Rare Glimpse of 19th-Century Boston’s Black Community
Thanks to the new acquisition, scholars at the Athenaeum library are connecting the dots of the city’s history of abolitionists.
by
Dana Lorch
via
Smithsonian
on
May 29, 2019
A Lost and Found Portrait Photographer
What remains of Hugh Magnum's work documents how much was shared in common by people who racist laws treated as separate.
by
Sarah Blackwood
via
The New Yorker
on
February 14, 2019
An Itinerant Photographer's Diverse Portraits of the Turn-of-the-Century American South
A new exhibit features photos by Hugh Mangum, whose glass plate negatives were salvaged from a North Carolina barn.
by
Allison C. Meier
via
Hyperallergic
on
January 20, 2019
An Outline of Over 200 Years of Silhouettes
The oldest object on view shows on brown paperboard one of the earliest known images of a slave in the U.S.
by
Claire Voon
via
Hyperallergic
on
August 13, 2018
Rarely Seen 19th-Century Silhouette of a Same-Sex Couple Living Together Goes On View
A new show, featuring the paper cutouts, reveals unheralded early Americans.
by
Roger Catlin
via
Smithsonian
on
May 25, 2018
Henrietta Lacks, Immortalized
Henrietta Lacks's "immortal" cell line, called "HeLa," is used in everything from cancer treatments to vaccines.
by
Allison C. Meier
via
JSTOR Daily
on
May 17, 2018
How Portraiture Gave Rise to the Glamour of Guns
American portraiture with its visual allure and pictorial storytelling made gun ownership desirable.
by
Kim Sajet
via
Smithsonian
on
March 23, 2018
Where the Newly Unveiled Obama Portraits Fit in the History of (Black) Portraiture
An art historian explains how portraits can convey so much more than mere likeness.
by
Richard J. Powell
,
Rachelle Hampton
via
Slate
on
February 12, 2018
Edgar Allan Poe and the Power of a Portrait
Edgar Allan Poe knew that readers would add their visual image of the author to his work to create a personality that informed their reading.
by
Erin Blakemore
,
Kevin J. Hayes
via
JSTOR Daily
on
February 13, 2017
American Indians, Playing Themselves
As Buffalo Bill's performers, they were walking stereotypes. But a New York photographer showed the humans beneath the headdresses.
by
Michelle Delaney
via
What It Means to Be American
on
January 27, 2015
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