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Lehman Durr & Co. building in a turn-of-the-century photograph.

‘The Lehman Trilogy’ and Wall Street’s Debt to Slavery

If the play holds up a mirror to our moment, it is by registering slavery in a peripheral glance only to look away.
Dr. Strange Love, from the Stanley Kubrick film of the same name

Watching the End of the World

The Doomsday Clock is set to two minutes to midnight. So why don't we make movies about nuclear war anymore?

Reading the Black Hills Pioneer, Deadwood’s Newspaper

Here’s how the Black Hills Pioneer reported on major events in the HBO series.
Cover of "These Truths"

New Yorker Nation

In Jill Lepore's "These Truths," ideas produce other ideas. But new ideas arise from thinking humans, not from other ideas.
African men in slave pens in Washington D.C. circa 1849-1850.
partner

How Ancestry.com Has Failed African American Customers

The genealogy site fails to understand the fundamental differences between white and black history.

No Man’s Land

In ignoring the messy realities of westward expansion, McCullough’s "The Pioneers" is both incomplete and dull.

How Poverty Is Reshaping the Story of Emmett Till's Murder

Beset by poverty, Glendora, Mississippi clings desperately to a version of Till's story that few others seem to believe.

It Was History All Along, Mom

Why did I never recognize all the important and valuable stories my mother told me as "history"?

The Magic of Estate Sales

These collections of everyday objects are clues to strangers’ daily lives.

A Book of Necessary, Speculative Narratives for the Anonymous Black Women of History

Unearthing the beauty in the wayward, the fiction in the facts, and the thriving existence in the face of a blanked out history.
Illustration of birth certificate and coin necklace

Ghosts In My Blood

Regina Bradley searches for truths about her great-grandfather and his murder.
Rod Serling at the typewriter, at his Westport, Connecticut, home in 1956.

An Early Run-In With Censors Led Rod Serling to 'The Twilight Zone'

His failed attempts to bring the Emmett Till tragedy to television forced him to get creative.
Malcolm X

The Explosive Chapter Left Out of Malcolm X’s Autobiography

Its title, 'The Negro', seemed innocuous enough. But Malcolm X intended it to invoke a much harsher meaning.

The Lucky Ones

I told her we were brought over the Rio Grande on a raft. I never called it a smuggling.

Making History Go Viral

Historians used the Twitter thread to add context and accuracy to the news cycle in 2018. Here’s how they did it.
Frederick Douglass.

Frederick Douglass, Abolition, and Memory

On Douglass’s monumental life, the voice of the biographer, memory and tragedy, and why history matters right now.
original

Legends and Lore

A roadside marker program in New York State embraces the gray area between official history and local lore.

History for a Post-Fact America

A review of Jill Lepore's new book, which she has called the most ambitious single-volume American history written in generations.

Two Ways of Looking at the Bisbee Deportation

A century-old image and the film it inspired.

Black Wall Street: The African American Haven That Burned and Then Rose From the Ashes

The story of Tulsa, Oklahoma’s Greenwood district isn’t well known, but it has never been told in a manner worthy of its importance.
"Black Panther" comic book cover.

Black Panther and the Black Panthers

Much is at stake in understanding the history and relationship between black superheroes and black revolutionaries.

John Wesley Harding at Fifty: WWDD?

Bob Dylan's confessional album resisted the political radicalism and activism of 1967.

William Ferris: The Man Who Shared Our Voices

An interview with the legendary folklorist, who fundamentally changed America’s understanding of the South.

The Premiere of 'Four Women Artists'

In this 1977 documentary, the spirit of Southern culture is captured through four Mississippi artists who tell their stories.

The First Film Ever Streamed on the Internet is Kind of Crazy

Beekeeping, alien planets, and the limits of narrative as technology.

We’re the Good Guys, Right?

Marvel's heroes are back again, but with little of the subversive aura that once surrounded them.

Photographer George Rodriguez Has Chronicled L.A. in All of Its Glamour and Grit

Rodriguez has captured celebrities in repose and farmworkers on strike.
Robert Redford in "The Sting."

Why Are All the Con Artists White?

The history of the black con artist has been forgotten.

The 100 Pages That Shaped Comics

From Mickey to Maus, tracing the evolution of the pictures, panels, and text that brought comic books to life.
John le Carre

Coming in from the Cold

On spy fiction.

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