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Viewing 21–40 of 56
What Hollywood Gets Wrong About Springsteen
The new Boss biopic robs his music of its mythic American qualities.
by
Mark Asch
via
The Atlantic
on
October 24, 2025
Me and Bobbie McKee
The story of the woman who inspired Janis Joplin’s signature song, then slipped away.
by
Elon Green
via
Slate
on
September 20, 2025
The Sixties Come Back to Life in “Everything Is Now”
J. Hoberman’s teeming history of New York’s avant-garde scene is a fascinating trove of research and a thrilling clamor of voices.
by
Richard Brody
via
The New Yorker
on
June 6, 2025
The Long History of Jewface
Bradley Cooper’s prosthetic nose is the latest example of the struggles around Jewish representation on the stage and screen.
by
Jody Rosen
via
The New Yorker
on
October 7, 2023
partner
The I Ching in America
Europeans translated the "Chinese Book of Changes" in the nineteenth century, but the philosophy really took off in the West after 1924.
by
Livia Gershon
,
Richard J. Smith
via
JSTOR Daily
on
May 4, 2023
partner
Far From Folsom Prison: More to Music Inside
Johnny Cash wasn't the only superstar to play in prisons. Music, initially allowed as worship, came to be seen as a rockin' tool of rehabilitation.
by
Morgan Godvin
via
JSTOR Daily
on
November 29, 2022
Jerry Lee Lewis Was an SOB Right to the End
Jerry Lee Lewis was known as the Killer, and it wasn’t a casual sobriquet.
by
Bill Wyman
via
Vulture
on
October 28, 2022
I've Got Those Old Talking-Blues Blues Again
The Folkies and WWII, Part Two.
by
William Hogeland
via
Hogeland's Bad History
on
October 13, 2022
The Gospel According to Mavis Staples
A legendary singer on faith, loss, and a family legacy.
by
David Remnick
via
The New Yorker
on
June 24, 2022
How Odetta Revolutionized Folk Music
She animated the horror and emotional intensity in American labor songs by projecting them like a European opera singer.
by
Sasha Frere-Jones
via
The New Yorker
on
February 24, 2022
Songs for a South Underwater
After the 1927 Great Flood, Black musicians from the Delta produced an outpour of songs testifying to the destruction. The same is true today.
by
Sergio Lopez
via
Scalawag
on
February 11, 2022
How Joni Mitchell Shattered Gender Barriers When Women Couldn't Even Have Their Own Credit Cards
Joni Mitchell might not have wanted to be the glamorous bard of women’s rising consciousness, but with “Blue,” she became just that.
by
Jessica Hopper
via
Los Angeles Times
on
June 22, 2021
Long Before QAnon, Ronald Reagan and The GOP Purged John Birch Extremists From The Party
Six decades ago, leaders in the GOP backed away from the conspiracy theories peddled by the leader of the increasingly influential John Birch Society.
by
Erick Trickey
via
Retropolis
on
January 15, 2021
The Devil Had Nothing to Do With It
“Robert Johnson was one of the most inventive geniuses of all time,” wrote Bob Dylan. “We still haven’t caught up with him.”
by
Greil Marcus
via
New York Review of Books
on
November 13, 2020
partner
Woody Guthrie's Communism and "This Land Is Your Land"
Was he or wasn't he a member of the Communist Party USA?
by
Aaron J. Leonard
via
HNN
on
September 20, 2020
Allen Ginsberg at the End of America
The polarized dialogue over Vietnam and the civil rights movement convinced Ginsberg that America was teetering on the precipice of a fall.
by
Michael Shumacher
via
The Paris Review
on
August 27, 2020
partner
Coronavirus Has a Playlist. Songs About Disease Go Way Back.
Coronavirus songwriting has gone as global as the pandemic itself, creating a new genre called pandemic pop. It’s a tradition with a long history.
by
Anthony DeCurtis
via
Retro Report
on
April 17, 2020
What Happened to Rock and Roll After Altamont?
On the Grateful Dead's “New Speedway Boogie,” and the true end of the Sixties.
by
Buzz Poole
via
Literary Hub
on
December 6, 2019
Drawn and Recorded: Blind Willie in Space
Dark was the night, cold was the ground, and brilliant is that song drifting through space.
by
Drew Christie
,
Bill Flanagan
via
Aeon
on
October 31, 2019
Vessel of Antiquity
Influence, invention, and the legacy of Leon Redbone.
by
Megan Pugh
via
Oxford American
on
March 19, 2019
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