Culture

Steven Hyden's new book about Bruce Springsteen's iconic "Born in the U.S.A" album is the product of a lifelong passion for the music of "The Boss."

Athletes drank poison, dodged traffic, stole peaches and even hitchhiked during the 24.85-mile race in St. Louis.

On our millennia-long love-hate relationship with getting in the water.

Jane Fonda and Donald Sutherland provide an outlet for antiwar soldiers.

How Wilbert Longfellow turned America into a nation of swimmers.

The painting of Mary Ann Tritt Cassell is likely the first known portrait commissioned by an American born into slavery.

The question of villainy has always been a complicated issue for African Americans in film.

Over the centuries, the beloved treat has become an integral part of our national identity.

The Phrygian cap, also known as the liberty cap, emerged as a potent symbol in 18th-century America and France.

The rejection that ended Morse's art career eventually led to the invention of the telegraph.

On the long and continuing struggle of women artists for recognition on their own terms.

Isolation and a heady mix of hormones and fear provide the perfect setting for bloody revenge.

The rules governing everything from “Big Brother” to “The Real Housewives” started three decades ago, with a radical experiment on MTV.

How Black artists made modernism their own.

Everyone’s heard of Jim Henson. It’s time to give Bonnie Erickson — creator of beloved Muppets and mascots including the Phillie Phanatic — her due.

An excerpt from the new book "Willie, Waylon, and the Boys."

Jewish masculinity and the New York intellectuals.

Siskel and Ebert and the heyday of popular movie criticism.

He wrote one of my favorite songs, but was so much more than a composer.

Power and choice in the 1930s novel.

Ann Powers’s deeply personal biography of Joni Mitchell looks at how a generation of listeners came to identify with the folk singer’s intimate songs.

This 1969 film offers a compelling context for queer cinema and culture prior to the 1970s.

Country music boosters rebranded the genre and tied it to America's military mission as a way to build popularity.

An essential new volume collects accounts of Japanese incarceration by patriotic idealists, righteous firebrands, and downtrodden cynics alike.

Sabrina Carpenter’s “Espresso” is one of several recent hits bringing back the genre that never got a name.

The melee, the mayhem, the metal chairs.

The intersection of Black music and queer identity.

What we can learn from the history of maritime folk music.

She remade the American songbook in her image, uprooting the very meaning of musical performance.

Once a powerful voice in the Black press, Coleman all but disappeared from the literary landscape of the American Midwest after her death in 1948.