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On folkways and creative industry.
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Viewing 211–240 of 1951
Gulp Fiction, or Into the Missouri-verse
On Percival Everett’s “James.”
by
Matt Seybold
via
Cleveland Review of Books
on
March 25, 2024
The Golden Age of the Paranoid Political Thriller
On the grand tradition of movies reflecting a deep distrust of those in charge.
by
Keith Roysdon
via
CrimeReads
on
March 25, 2024
The Visions of Alice Coltrane
In the years after her husband John’s death, the harpist discovered a sound all her own, a jazz rooted in acts of spirit and will.
by
Marcus J. Moore
via
The Nation
on
March 21, 2024
"James" Is a Retelling of "Huckleberry Finn" that America Desperately Needs
It puts the people in the most peril in the center of the story: the people being systematically exploited, chained, whipped and raped.
by
Jarvis Deberry
via
MSNBC
on
March 19, 2024
How Candida Royalle Set Out to Reinvent Porn
As a feminist in the adult-film industry, she believed the answer wasn’t banning porn; it was better porn.
by
Margaret Talbot
via
The New Yorker
on
March 18, 2024
The Black Box of Race
In a circumscribed universe, Black Americans have ceaselessly reinvented themselves.
by
Henry Louis Gates Jr.
via
The Atlantic
on
March 16, 2024
The Great American Novels
136 books that made America think.
via
The Atlantic
on
March 14, 2024
Dance, Revolution
George Balanchine and Martha Graham trade places.
by
Juliana Devaan
via
The Drift
on
March 12, 2024
Past Tense
The historical novel isn’t cool. Popular? Yes. Enduring? Yes. A bit, well — for nerds? Also yes. Coolness lies in being at the right place at the right time.
by
David Schurman Wallace
via
The Drift
on
March 12, 2024
A Bloody Retelling of 'Huckleberry Finn'
Percival Everett transforms Mark Twain’s classic 'Huckleberry Finn' into a tragedy.
by
Tyler Austin Harper
via
The Atlantic
on
March 12, 2024
Charting the Music of a Movement
Galvanized by an act of racial violence, the band A Grain of Sand brought a new version of Asian American activism and identity to the folk music scene.
by
Oliver Wang
,
H. M. A. Leow
via
JSTOR Daily
on
March 11, 2024
How Arnold Schoenberg Changed Hollywood
He moved to California during the Nazi era, and his music—which ranged from the lushly melodic to the rigorously atonal—caught the ears of everyone.
by
Alex Ross
via
The New Yorker
on
March 11, 2024
The Institute for Illegal Images
Meditating on blotter not just as art, or as a historical artifact, but as a kind of media, even a “meta medium.”
by
Erik Davis
via
The Paris Review
on
March 4, 2024
Keith Haring, the Boy Who Cried Art
Was he a brilliant painter or a brilliant brand?
by
Jackson Arn
via
The New Yorker
on
March 4, 2024
Freeing Birdman of Alcatraz
Neither the Bureau of Prisons nor the Production Code Administration could stop the production of a movie about murderer and ornithologist Robert Stroud.
by
Matthew Wills
,
David Eldridge
via
JSTOR Daily
on
March 3, 2024
In the 1960s, Prison Chaplains Created a Star Studded Music Festival at Lorton Reformatory
Syncopation and swing reigned supreme at the annual Lorton Reformatory Jazz Festival in the 1960s.
by
Dominique Mickiewitz
via
Boundary Stones
on
March 1, 2024
Issei Poetry Between the World Wars
The rich history of Japanese-language literature challenges assumptions about what counts as U.S. art.
by
Kenji C. Liu
via
High Country News
on
March 1, 2024
How a Century of Black Westerns Shaped Movie History
Mario Van Peebles' "Outlaw Posse" is the latest attempt to correct the erasure of people of color from the classic cinema genre.
by
Chris Klimek
via
Smithsonian
on
March 1, 2024
You've Got to Be Carefully Taught
Rodgers and Hammerstein's South Pacific shows the limits–and power–of mainstream entertainment in addressing weighty social topics.
by
Stephen Akey
via
American Purpose
on
March 1, 2024
The Dying Pelican
Romanticism, local color, and nostalgic New Orleans.
by
Eleanor Stern
via
64 Parishes
on
February 29, 2024
Red Beans and Rice: A Journey from Africa to Haiti to New Orleans
“It was an affirmation of our city,” says New Orleanian food historian Lolis Eric Elie.
by
Joseph Lamour
via
TODAY.com
on
February 29, 2024
How the Memory of a Song Reunited Two Women Separated by the Trans-Atlantic Slave Trade
In 1990, scholars found a Sierra Leonean woman who remembered a nearly identical version of a tune passed down by a Georgia woman’s enslaved ancestors
by
Joshua Kagavi
via
Smithsonian
on
February 29, 2024
The First Black Woman to Write, Produce, and Act in Her Own Film
Maria P. Williams pioneered filmmaking for African American women, but her life is even more thrilling than her sole film.
by
Jennie Knuppel
via
The Saturday Evening Post
on
February 29, 2024
Outsider’s Outsider
At once famous and obscure, marginal and central, Harry Smith anticipated and even invented several important elements of Sixties counterculture.
by
J. Hoberman
via
New York Review of Books
on
February 28, 2024
Betty Smith Enchanted a Generation of Readers with ‘A Tree Grows in Brooklyn’
No other 20th-century American novel did quite so much to burnish Brooklyn’s reputation.
by
Rachel Gordan
via
The Conversation
on
February 27, 2024
A Shameful US History Told Through Ledger Drawings
In the 19th century ledger drawings became a concentrated point of resistance for Indigenous people, an expression of individual and communal pride.
by
John Yau
via
Hyperallergic
on
February 21, 2024
In Defense of Eating Brains
While some in the West are squeamish, globally, it's more common than not.
by
Andrew Coletti
via
Atlas Obscura
on
February 16, 2024
It’s Flagrant Tokenism, Charlie Brown!
Peanuts’ Franklin has been a controversial character for decades. A new special attempts reparations.
by
Troy Patterson
via
Slate
on
February 16, 2024
Pictures From a Genocide
An astonishing new show of Native American ledger drawings brings a historic crime into focus.
by
Jerry Saltz
via
Vulture
on
February 16, 2024
Bob Marley’s ‘Legend’ Is One of the Bestselling Albums Ever. But Does It Tell His Full Story?
After 40 years and more than 25 million copies sold, what story does ‘Legend’ tell us about Bob Marley and the people listening to it?
by
Eric Ducker
via
The Ringer
on
February 14, 2024
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