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The Bahá’í House of Worship, a tall, ornate building made of concrete, illuminated against a cloudy sky.

The Beauty of Concrete

Why are buildings today simple and austere, while buildings of the past were ornate and elaborately ornamented? The answer is not the cost of labor.
Silhouette of Oppenheimer wearing a fedora.

How Do We Know the Motorman Is Not Insane?

Oppenheimer and the demon heart of power.
African American school children at Horatio Greenough’s statue of George Washington at the US Capitol, 1899.

Why the Age of Revolution Loved the Classical World

Radicals in the Age of Revolution saw the classical world as a common inheritance that could aid their fight for liberty.
Street Painter among paintings in Rome, Italy

W.E.B. Du Bois and the Aesthetics of Emancipation

“I am one who tells the truth and exposes evil and seeks with Beauty and for Beauty to set the world right,” W.E.B. Du Bois said in his June 1926 lecture.
Profile photograph of Margaret Wise Brown.

The Radical Woman Behind “Goodnight Moon”

Margaret Wise Brown constantly pushed boundaries—in her life and in her art.
New York skyline viewed from the top of the Woolworth building, 1913.

A Brief History of New York’s First Great Architectural Firm

On the eccentric, creative minds behind McKim, Meade and White.
Trump poster hanging on a federal building, scowling at people below.

If Trump Could Make John Wayne the Head of Homeland Security, He Would

Trump mixes restoration with revolution—his reactionary modernism wooed Silicon Valley, but for everyone else, it signals looming repression.
Book cover for The Invention of Design by Maggie Gram features a phone cord snaking around text.
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Irrelevant at Best, or Else Complicit

The state of design in 1970.
Mannequins model Black fashion ranging from ethnic apparel to suits.

Turning Style Into Power: How the Black Dandy Used Clothing to Challenge Authority

At the Met, "Superfine: Tailoring Black Style" shows how clothing became a way for Black men to assert presence and push back against control.
An iMac computer displays the starry night screensaver.

Recurring Screens

Reflections on memory, dreams, and computer screensavers.
A contact sheet of portraits of James Baldwin, 1972.

For Those Who Would Be Real

James Baldwin’s testimony in images.
Mary MacLane.

“I Am Making the World My Confessor”: Mary MacLane, the Wild Woman from Butte

In 1902, a woman named Mary MacLane from Butte, Montana, became an international sensation after publishing a scandalous journal at the age of 19.
Eugen Sandow flexing his bicep.

The Evolution of the Alpha Male Aesthetic

If you've noticed a certain look common to the manosphere, you're not mistaken. A visual identity has taken hold, with roots that trace back decades.
Illustration from the “Projected Trends” section of Hugh Ferriss’ The Metropolis of Tomorrow (1929).

Modern Babylon: Ziggurat Skyscrapers and Hugh Ferriss’ Retrofuturism

In the early twentieth century, architects turned to a newly discovered past to craft novel visions of the future: the ancient history of Mesopotamia.
Eliot Noyes standing outside of an IBM building.

The Complicated Legacy of Eliot Noyes

Noyes is not a household name, but his evangelism for the notion of design as a holistic strategy is so pervasive that many now take it for granted.
Alvin Ailey

How to Forget Alvin Ailey

Even as “Edges of Ailey” gathers such intimate documents, it does not make them legible to its visitors.
The word "no" engraved in the Gorton font on different materials.

The Hardest Working Font in Manhattan

A story of a 150-year-old font you have never heard of – and one you probably saw earlier today.
The Griffith Observatory, constructed by the Works Progress Administration, on a hill overlooking Los Angeles.

A New Deal for Architecture

What it conveys is quite specific: grandeur, beauty, dynamism, and power.
he obverse (right) and reverse (left) of the James H. Hyde Medallion, designed by Paul H. Manship, on the Janvier reduction machine.

Tokens of Culture

On the medallic art of the Gilded Age.
Jimi Hendrix performing with his guitar.

How Jimi Hendrix Made "Flower Power" Fashionable

The resurgence of “peace and love” aesthetics in menswear today owes itself to the rebellious spirit of the 1960s and 70s, embodied by musician Jimi Hendrix.
Photo by Ralph Ellison of men standing by a street in New York City.

Ralph Ellison’s Alchemical Camera

The novelist's aestheticizing impulse contrasts with the relentless seriousness of his observations and critiques of American society.
Still from Midnight Cowboy of a man with a gun in Times Square.

How the Movies Captured Times Square’s Grimy Golden Age

Times Square’s decline can be dated to the Depression, but it wasn’t until the 1970s that the bottom fell out.
A drawing of a city skyline filled with skyscrapers.

The Man Who Saved the Skyscraper

Fazlur Khan and the idea that would turn architecture on its head.
Art installation of cardboard pieces with the Amazon arrow logo, arranged in the shape of a cresting wave.

World in a Box: Cardboard Media and the Geographic Imagination

Cardboard boxes hold a world of meaning that spans from Amazon to the Container Corporation of America.
Keith Haring standing shirtless in front of one of his paintings.

Angels with Dirty Faces

How Keith Haring got his halo.
Posters for Beyonce's "Cowboy Carter" album.
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History Explains the Backlash to Beyoncé's 'Cowboy Carter'

Black cowboys made up as much as a quarter of working ranch hands during late 19th century. That legacy has been obscured.
Covers from Lippincott's and Harper's from the 1890s.

Advertising as Art: How Literary Magazines Pioneered a New Kind of Graphic Design

Allison Rudnick on the rise and fall of the 19th century "Literary Poster."
Oscar Wilde

“A Nation of Lunatics.” What Oscar Wilde Thought About America

On the Irish writer’s grand tour of the Gilded Age United States.
Keith Haring spray painting

Keith Haring, the Boy Who Cried Art

Was he a brilliant painter or a brilliant brand?
"Alien Embrace" repeated artwork

The Institute for Illegal Images

Meditating on blotter not just as art, or as a historical artifact, but as a kind of media, even a “meta medium.”

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