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The Ruthless Rise and Fall of Paramount Pictures During Hollywood’s Golden Age
The venerable movie studio once defined the industry's zeal for consolidation, pioneering vertical integration and serving as the model for its major rivals.
by
Thomas Doherty
via
The Hollywood Reporter
on
February 29, 2024
Orange County, Colorado
How a California homebuilder remade the Interior West.
by
Caroline Tracey
via
New York Review Of Architecture
on
February 19, 2024
Sheet Music Covers for the Gotham-Attucks Company, ca. 1905–1911
Beginning in 1905, one star-studded song-publishing company would push the aesthetic limits of how Black popular music was shown to the public.
by
Dorothy Berry
via
The Public Domain Review
on
February 1, 2024
The Great Leg Show!
Hot pants served as a sartorial riposte to the fashion industry’s relentless campaign for the midi.
by
Oline Eaton
via
Contingent
on
January 30, 2024
What Has Been Will Be Again
A new documentary photography project grapples with manifestations of a problematic past resurfacing in present-day Alabama.
by
Jared Ragland
,
Catherine Wilkins
via
Southern Cultures
on
January 24, 2024
Freedom Furniture
How did Americans come to love “mid-century modern”?
by
Marianela D’Aprile
via
The Nation
on
January 23, 2024
The Electric Kool-Aid Conservative
Tom Wolfe was no radical.
by
Osita Nwanevu
via
The New Republic
on
January 5, 2024
Christina Sharpe and the Art of Everyday Black Life
In "Ordinary Notes," Sharpe considers Black culture “in all of its shade and depth and glow.”
by
Omari Weekes
via
The Nation
on
December 13, 2023
What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia
Retro was not the antithesis to the sub- and countercultural experiments of the 1960s, it grew directly out of them.
by
Tobias Becker
via
Literary Hub
on
December 13, 2023
Before the Wrecking Ball Swung
The Historic American Building Survey's mission to photograph important architecture before its demolition.
by
Martin Filler
via
New York Review of Books
on
November 9, 2023
The Historian’s Revenge
The rise and fall of the Shingle Style ideal.
by
Witold Rybczynski
via
The Hedgehog Review
on
November 1, 2023
Boston's Map, Explained
Boston has more "made" land than any other American city.
by
Daniel Steiner
via
YouTube
on
October 26, 2023
Xerox and Roll: The Corporate Machine and the Making of Punk
On the 85th anniversary of the first xerographic print, a collection of punk flyers from Cornell University provides an object lesson on anti-art.
by
Alex Houston
via
JSTOR Daily
on
October 22, 2023
The South’s Jewish Proust
Shelby Foote, failed novelist and closeted member of the Tribe, turned the Civil War into a masterpiece of American literature.
by
Blake Smith
via
Tablet
on
September 6, 2023
We’re All Preppy Now
How a style steeped in American elitism took over the world.
by
Natalia Mehlman Petrzela
via
The New Republic
on
August 14, 2023
Is the History of American Art a History of Failure?
Sara Marcus’s recent book argues that from the Reconstruction to the AIDS era, a distinct aesthetic formed around defeat in the realm of politics.
by
Lynne Feeley
via
The Nation
on
July 31, 2023
The Mütter and More
Why we need to be critical of medical museums as spaces for disability histories.
by
Aparna Nair
via
Disability Visibility Project
on
July 29, 2023
On Menand’s "The Free World" and Dinerstein’s "The Origins of Cool in Postwar America"
Two differing explorations of post-WWII culture, politics, and ideals.
by
Michael J. Kramer
via
Society for U.S. Intellectual History
on
May 21, 2023
Wedding Cake Toppers: Miniatures, Excess, and Fantasy
Tying frilly white doves and normative bride-and-groom couples to feminist art and DIY craft practices that offer opportunities for creativity and fantasy.
by
Kendall DeBoer
via
Dilettante Army
on
May 1, 2023
American Charivari
The history and context of the made-up aesthetics of the early Ku Klux Klan.
by
Devin Thomas O’Shea
via
Lapham’s Quarterly
on
April 24, 2023
Escaping from Notes to Sounds
The saxophonist Albert Ayler revolutionized the avant-garde jazz scene, drastically altering notions of what noises qualified as music.
by
Andrew Katzenstein
via
New York Review of Books
on
April 20, 2023
J. Crew and the Paradoxes of Prep
By mass-marketing social aspiration, the brand toed the line between exclusivity and accessibility—and established prep as America’s visual vernacular.
by
Hua Hsu
via
The New Yorker
on
March 20, 2023
What Drum Machines Can Teach Us About Artificial Intelligence
As AI drum machines embrace humanising imperfections, what does this mean for ‘real’ drummers and the soul of music?
by
Jack Stilgoe
via
Aeon
on
February 28, 2023
A New Flame for Black Fire
What will be the legacy of the Black Arts Movement? Ishmael Reed reflects on the transformation and growth of Black arts since the 1960s.
by
Ishmael Reed
via
New York Review of Books
on
January 14, 2023
A Library by the Book
For its ubiquity and richness, the American library building stands as a reflection of the country’s enlightened calling.
by
James Panero
via
The New Criterion
on
November 11, 2022
I've Got Those Old Talking-Blues Blues Again
The Folkies and WWII, Part Two.
by
William Hogeland
via
Hogeland's Bad History
on
October 13, 2022
The Illusion of the First Person
The personal essay is the purest expression of the lie that individual subjectivity exists prior to the social formations that gave rise to it.
by
Merve Emre
via
New York Review of Books
on
October 11, 2022
When Coal First Arrived, Americans Said 'No Thanks'
Back in the 19th century, coal was the nation's newfangled fuel source—and it faced the same resistance as wind and solar today.
by
Clive Thompson
via
Smithsonian
on
July 5, 2022
partner
An Evangelical Youth Event Could Offer Clues About the Movement’s Future
TOGETHER ’22 aims to mimic EXPLO ’72 — which provided hints about the rising conservative evangelical tide.
by
Benjamin J. Young
via
Made By History
on
June 24, 2022
Race, War, and Winslow Homer
The artist’s experiences in the Civil War and after helped him transcend stereotypes in portraying Black experience.
by
Claudia Roth Pierpont
via
The New Yorker
on
April 7, 2022
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