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Screenshot of soldiers and an explosion.

Noam Chomsky on How America Sanitizes the Horror of Its Wars

On the origins of America's hegemonic foreign policy.
Still from the film 'Oppenheimer.'

‘It’s Really First-Class Work’

Watching 'Oppenheimer' with the author of a definitive account of the Manhattan Project.
Actor portraying Oppenheimer.

The Real History Behind Christopher Nolan's 'Oppenheimer'

The "father of the atomic bomb" has long been misunderstood. Will the new film finally get J. Robert Oppenheimer right?
Santa Claus, Mrs. Claus, and snowman.

How Mrs. Claus Embodied 19th-Century Debates About Women's Rights

Many early stories praise her work ethic and devotion. But with Mrs. Claus usually hitting the North Pole’s glass ceiling, some writers started to push back.
An illustration of the caning of Charles Sumner.

The Caning of Charles Sumner in the U.S. Senate: White Supremacist Violence in Pen and Pixels

Absent social media, the artists of the past shaped public knowledge of historical events through illustrations.
Warner Sallman's "Head of Christ" painting.

How Jesus Became White — and Why It’s Time to Cancel That

Nearly a century later, both ‘Head of Christ’ and criticism of its role in enshrining Jesus as white endure.
Graffito picture of Richard Nixon superimposed on lines an German text.

Richard Nixon, Modular Man

Even knowing every awful thing Richard Nixon would go on to do, you had to respect, as the phrase goes, his hustle.
Caricature of Oscar Wilde in between a sunflower in a vase with the U.S. dollar symbol on it, and a lion with sunflower petals for a mane.

The Wilde Woman and the Sunflower Apostle: Oscar Wilde in the United States

Victoria Dailey looks back at Oscar Wilde’s wild ride through the United States in the early 1880s.
Engraving of the Boston Massacre by Paul Revere.
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Crispus Attucks Needs No Introduction. Or Does He?

The African American Patriot, who died in the Boston Massacre, was erased from visual history. Black abolitionists revived his memory.
Travels through Virginia. From Theodor de Bry's 'America', Vol. I, 1590, after a drawing of John White. Depicting American Indians dancing.
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The Construction of America, in the Eyes of the English

In Theodor de Bry’s illustrations for "True Report of the New Found Land of Virginia," the Algonquin are made to look like the Irish. Surprise.

The False Narratives of the Fall of Rome Mapped Onto America

Gravely inaccurate 19th-century depictions of the destruction of Rome are used to illustrate parallels between Rome and the U.S.
Two posters of the "We Can Do It!" posters with Rosie the Riveter hang on a wall.

Rosie the Riveter Isn’t Who You Think She Is

While the female factory worker is a pop icon now, the “We Can Do It!” poster was unknown to the American public in the 1940s.
Painting "Open Casket" by Dana Schultz

Dana Schutz’s ‘Open Casket’

Should white artists be allowed to depict black suffering?
Drawings of George Washington

His Highness

George Washington scales new heights.

How Poverty Was, and Was Not, Pictured Before the Civil War

Images were important in defining the Republic between the Revolution and the Civil War and they distinctively both did and did not show Americans in need.
Images of historical figures including Bejamin Franklin and Albert Einstein are overlaid on a green and white background.

Who’ll Be in Trump’s Hero Garden? There Are a Few Surprises.

The list of nearly 250 includes the famous, the obscure and, in some cases, the intentionally controversial.
Movie poster for Warfare, 2025.
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War Stories Without the History

Films about the Iraq War prize “truth-telling,” but don’t offer many insights about the war itself.
Collage of gay film covers

Good Queers and Bad Queers

Myths are fed back as stereotypes and strawmen to divine some boundary for acceptability.
Gertrude Berg.

The Forgotten Inventor of the Sitcom

Gertrude Berg’s “The Goldbergs” was a bold, beloved portrait of a Jewish family. Then the blacklist obliterated her legacy.
Mark Zuckerberg, Elon Musk, and Jeff Bezos photoshopped into a picture of Gilded Age millionaires.

Enjoying the Sweet Stink of The Gilded Age in the Age of Billionaires

On sanitized depictions of the 19th century, comfort shows, and income inequality.
American soldiers in Vietnam.

If You’ve Watched Ken Burns’ Vietnam Documentary, Do You Need Netflix’s?

I, a historian of the Vietnam War, have watched the Turning Point treatment. I have some notes.
Film still from "Three Seasons" of a flower seller in Vietnam.

Tony Bui on the Vietnam War’s Cinematic Legacy

Films from Vietnam and Hollywood testify to the range of stories told about the war on-screen and the different memories they embody.
Henry Fonda in The Best Man (1984).

President of the Nameless: Alexander Horwath on Henry Fonda for President

A documentary dissects Henry Fonda's character and his role in American cinema.
Screen shot of artillery in the video game Fallout 4.

Fallout 4 and the Erasure of the Native in (Post-Apocalyptic) New England

It is not attempting to tell a story about Native erasure. It is not trying to tell a story about Native Americans at all. And that tells the real story.
Colorful, brightly lit interior of Washington Cathedral.

Reclaiming Medievalism

Washington Cathedral’s break with Confederate memory.
Painting of the archangel Michael, holding shield, defeating Satan and other angels.

Extremist Pop Culture and the American Evangelical Right

Jack Chick and the origins of the 1980s “Satanic Panic."
Still from "The Apprentice."

The Power Broker: Roy Cohn on Screen

The closeted right-wing operative has become a tragic character in the American repertory.
Political cartoon depicting contrabands carrying cannons, oblivious to their exploitation by the U.S. Army.

Racism and the Limits of Imagination in the United States and the Confederacy

Why did it take so long for the U.S. Army to authorize the enlistment of Black men as soldiers?
A still of Dennis Quaid as Ronald Reagan overlaid on the seal of the United States.

The Thin Line Between Biopic and Propaganda

The success of “Reagan” reflects the market demands of a more fragmented moviegoing public—and reality.
Collage of Matilda Gage and good and bad witches from "The Wizard of Oz" and "Wicked."

The Feminist Who Inspired the Witches of Oz

The story of suffragist Matilda Gage, the woman behind the curtain whose life story captivated her son-in-law L. Frank Baum as he wrote his classic novel.

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