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The Return of American Fascism

How a legacy of violent nationalism haunts the republic in the age of Trump.
by Sarah Churchwell via New Statesman on September 2, 2020

The Long Reinvention of the South Bronx

Peter L'Official on the Mythologies Behind Urban Renewal.
by Peter L'Official via Literary Hub on August 3, 2020
Photo of KRS-One superimposed on photo of NY subway station in the Bronx

How KRS-One’s ‘Sound of Da Police’ Went From Anti-Cop Anthem to Theme Song and Back Again

The 1993 song reinvigorated the rap legend’s career — and against all odds became a Hollywood (and police) favorite
by Eric Ducker via Medium on July 25, 2020
Still from animated TV show Big Mouth

The Messy Politics of Black Voices—and “Black Voice”—in American Animation

Cartoons have often been considered exempt from the country’s prejudices. In fact, they form a genre built on the marble and mud of racial signification.
by Lauren Michele Jackson via The New Yorker on June 30, 2020
Exhibit

Moving Pictures

Tracing the history of Americans' relationships with the silver screen, from film's earliest days to the cinematic creations of our own times.
Jeanne Cagney as Vera Novak in "Quicksand"

How Film Noir Tried to Scare Women out of Working

In the period immediately following World War II, the femme fatale embodied a host of male anxieties about gender roles.
by Michael Renov, Jack Boozer, Kristin Hunt via JSTOR Daily on March 12, 2020
Richard Pryor

A Nigger Un-Reconstructed: The Legacy of Richard Pryor

Comedian Richard Pryor's performance of Blackness throughout his career.
by Mark Anthony Neal via NewBlackMan (in Exile) on December 1, 2019
Joe Buck and Rizzo walking on a bridge.

How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top

It became the first and only X-rated movie to win a best picture Oscar.
by Koraljka Suton via Cinephilia & Beyond on August 4, 2019

Ronald Reagan’s Reel Life

Did the movies ever matter? They did to Ronald Reagan.
by J. Hoberman via New York Review of Books on June 29, 2019

Black Wall Street: The African American Haven That Burned and Then Rose From the Ashes

The story of Tulsa, Oklahoma’s Greenwood district isn’t well known, but it has never been told in a manner worthy of its importance.
by Victor Luckerson via The Ringer on June 28, 2018

Baldwin’s Lonely Country

After MLK's assassination, James Baldwin attempted to reconcile the divide between the civil rights movement and Black Power.
by Ed Pavlic via Boston Review on March 29, 2018
Still from Black Panther film.

'Black Panther' and the Invention of 'Africa'

The film's hero and antagonist represent dueling responses to five centuries of African exploitation at the hands of the West.
by Jelani Cobb via The New Yorker on February 18, 2018
Thomas Hamblin

Reflections on 1830s Theater Manager Thomas Hamblin in the #MeToo Era

Over the 1830s, Hamblin transformed the fortunes of the Bowery by featuring melodramas starring young women, but this wasn't without issues.
by Sara Lampert via Nursing Clio on February 8, 2018

Same As It Ever Was: Orientalism Forty Years Later

On Edward Said, othering, and the depictions of Arabs in America.
by Philip Metres via Literary Hub on January 23, 2018

How John Wayne Became a Hollow Masculine Icon

The actor’s persona was inextricable from the toxic culture of Cold War machismo.
by Stephen Metcalf via The Atlantic on November 9, 2017

How Theaters and TV Networks are Changing the Way They Show Gone With the Wind

After almost 80 years, America is finally rethinking how it screens its favorite movie.
by Aisha Harris via Slate on October 22, 2017
Billy Graham at a speaker's podium (Photo by Ninian Reid).

The Preacher and Vietnam: When Billy Graham Urged Nixon to Kill One Million People

The disclosure of Billy Graham's recommendation of war crimes did not exicte any commotion.
by Alexander Cockburn, Jeffrey St. Clair via CounterPunch on September 27, 2017
A collage of a still from "All in the Family" on a stylized television with another television in the background.

Fandom's Great Divide

The schism isn't between TV viewers who love a show and those who hate it—it’s between those who love it in very different ways.
by Emily Nussbaum via The New Yorker on March 31, 2014

How Barry Levinson’s Diner Changed Cinema, 30 Years Later

With Diner, Barry Levinson turned a film about nothing into a male-bonding classic, launched careers, and spawned hits from Seinfeld to The Office.
by S. L. Price via HWD on February 10, 2012

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