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A man scuba diving.

Filming the Deep: Underwater Film Technologies

The author of a new book, The Underwater Eye, discusses how film enables audiences "to connect to the most remote environment on the planet: the ocean."
by John Plotz, Margaret Cohen via Public Books on March 23, 2023
Screenwriter Dalton Trumbo with his wife Cleo at the House Un-American Activities Committee hearings in 1947. Bertoldt Brecht can be seen in the background.

Monopolywood: Why the Paramount Accords Should Not Be Repealed

If studios can again harness the income from exhibition, we may see a return of traditional vertical integration.
by Vaughn Joy via Red Pepper on March 13, 2023
Oscar statues.

What the Oscars Represent: Meritocracy Without Merit

How the institution’s reactionary origins still leak into today’s film culture.
by David Hajdu via The Nation on March 8, 2023
Buster Keaton holds himself up against two walls.

Puzzled Puss: Buster Keaton’s Star Turn

Keaton had been on the stage longest, risen the highest, fallen the furthest, and left the most indelible legacy.
by John Lahr via London Review of Books on January 19, 2023
Noble Johnson (left rear), Jimmie Smith, and Beulah Hall in “The Trooper of Troop K”

Looking (and Looking Again) at Black Film History

Uncovering the earliest surviving fragment of Black-produced cinema.
by Cary O'Dell via Library of Congress Blog on October 4, 2022
Screen capture of a Black man standing in an urban residential neighborhood, speaking in the documentary "Who Killed the Fourth Ward?"

How “Who Killed Fourth Ward?” Challenged the Nature of Documentary Filmmaking

James Blue’s film investigated the destruction of a Black neighborhood in Houston, but it is also a powerful self-interrogation.
by Richard Brody via The New Yorker on January 21, 2022
Still from Saving Private Ryan, depicting soldiers in a landing craft.

How Saving Private Ryan's Best Picture Loss Changed the Oscars Forever

More than just an upset, "Saving Private Ryan" losing the Best Picture Oscar to "Shakespeare in Love" changed how Academy Awards are won.
by David Crow via Den Of Geek on April 13, 2021

James E. Hinton’s Unseen Films Reframe the Black Power Movement

The filmmaker and photographer’s work shows late-sixties Black activism to be a joyful, community-building project.
via The New Yorker on September 25, 2020
Broadway New York 1893

Perilous Proceedings

Documenting the New York City construction boom at the turn of the 20th century.
by David Gibson via Library of Congress on June 29, 2020

The First Movie Kiss

The public fascination was so intense that fans soon started demanding live reenactments.
by Linda Williams, Kristin Hunt via JSTOR Daily on May 7, 2020

‘1917’ and the Trouble With War Movies

"Every film about war ends up being pro-war," Francois Truffaut once said.
by Adam Nayman via The Ringer on January 29, 2020
Soldiers inspecting damaged helmets in a scene from John Huston's 1945 film "The Battle of San Pietro."

The War Documentary That Never Was

John Huston's 1945 movie The Battle of San Pietro presents itself as a war documentary, but contains staged scenes. What should we make of it?
by Kristin Hunt via JSTOR Daily on December 5, 2019

How Oscar Micheaux Challenged the Racism of Early Hollywood

The black filmmaker Oscar Micheaux was one of the first to make films for a black audience, a rebuke to racist movies like "The Birth of a Nation."
by Anna Siomopoulos, Kristin Hunt, Richard Grupenhoff via JSTOR Daily on October 3, 2019
Joe Buck and Rizzo walking on a bridge.

How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top

It became the first and only X-rated movie to win a best picture Oscar.
by Koraljka Suton via Cinephilia & Beyond on August 4, 2019

Death Proof

With ‘Once Upon a Time… in Hollywood,’ Tarantino slakes his thirst for nostalgia while playing with another piece of history.
by Soraya Roberts via Longreads on August 1, 2019
Buzz Aldrin on the lunar surface with flag during Apollo 11.

How Stanley Kubrick Staged the Moon Landing

To understand America, you can start with Apollo 11 and all that is counterfactual that’s grown around it.
by Rich Cohen via The Paris Review on July 18, 2019

“Swinging While I’m Singing”: Spike Lee, Public Enemy, and the Message in the Music

Public Enemy's "Fight the Power," featured in Spike Lee's "Do the Right Thing," embodied many sentiments of a black generation.
by Mark Anthony Neal via Black Perspectives on June 24, 2019

'Reality Bites' Captured Gen X With Perfect Irony

The 1994 studio film was written by a 20-something who mined her own life to tell the story of a generation that disdained 'selling out.'
by Soraya Roberts via The Atlantic on March 6, 2019

Colorizing and Fictionalizing the Past

The technical wizardry of Peter Jackson's "They Shall Not Grow Old" should not obscure its narrow, outdated storyline.
by Bridget Keown via Nursing Clio on February 12, 2019
Still from early film of an African American man.

Solomon Sir Jones Films, 1924-1928

The Solomon Sir Jones films consist of 29 silent black and white films documenting African-American communities in Oklahoma from 1924 to 1928.
via Beinecke Rare Book & Manuscript Library on December 14, 2018

A Skyline Is Born

A history of filmmakers retelling the story of New York’s architecture.
by Tatum Dooley via Lapham’s Quarterly on November 14, 2018

Mayberry Machiavelli

The self-congratulatory legacies of ‘A Face in the Crowd.’
by Tom Carson via The Baffler on November 5, 2018

How Does a Film Become Lost?

What happens when “lost” films and television shows become found once again—and what that does to the work’s cultural legacy.
by Andrew Egan via Tedium on October 11, 2018

Two Ways of Looking at the Bisbee Deportation

A century-old image and the film it inspired.
by Katherine Benton-Cohen, Robert Greene via Lapham’s Quarterly on August 30, 2018

How John Wayne Became a Hollow Masculine Icon

The actor’s persona was inextricable from the toxic culture of Cold War machismo.
by Stephen Metcalf via The Atlantic on November 9, 2017

Sexism and Male Voyeurism Have Been Intertwined Throughout Movie History

Harvey Weinstein and the history of the male cinematic gaze.
by David Thomson via Vox on October 19, 2017

Who Was the Most Prolific Black Filmmaker of the Silent Film Era?

Who was the most prolific African American filmmaker of the silent film era? That’s a question that has us asking, “were there any?”
by Stephanie Weber via Atlas Obscura on February 16, 2016
Orson Welles

A Hundred Years of Orson Welles

He was said to have gone into decline, but his story is one of endurance—even of unlikely triumph.
by Alex Ross via The New Yorker on November 30, 2015
Painting of Ancient Rome, by Giovanni Paolo Panini, 1757.
partner

All the World’s America’s Stage — Even Ancient Rome

Gladiator and Gladiator II have little to do with the Roman past. But they have a great deal to do with the American present.
by Jessica Clarke via HNN on December 3, 2024
Virginia Tracy.

Is Virginia Tracy the First Great American Film Critic?

The actress, screenwriter, and novelist’s reviews and essays from 1918-19 display a comprehensive grasp of movie art and a visionary sense of its future.
by Richard Brody via The New Yorker on November 25, 2024
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