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'Reality Bites' Captured Gen X With Perfect Irony

The 1994 studio film was written by a 20-something who mined her own life to tell the story of a generation that disdained 'selling out.'
by Soraya Roberts via The Atlantic on March 6, 2019

Colorizing and Fictionalizing the Past

The technical wizardry of Peter Jackson's "They Shall Not Grow Old" should not obscure its narrow, outdated storyline.
by Bridget Keown via Nursing Clio on February 12, 2019
Still from early film of an African American man.

Solomon Sir Jones Films, 1924-1928

The Solomon Sir Jones films consist of 29 silent black and white films documenting African-American communities in Oklahoma from 1924 to 1928.
via Beinecke Rare Book & Manuscript Library on December 14, 2018

A Skyline Is Born

A history of filmmakers retelling the story of New York’s architecture.
by Tatum Dooley via Lapham’s Quarterly on November 14, 2018

Mayberry Machiavelli

The self-congratulatory legacies of ‘A Face in the Crowd.’
by Tom Carson via The Baffler on November 5, 2018

How Does a Film Become Lost?

What happens when “lost” films and television shows become found once again—and what that does to the work’s cultural legacy.
by Andrew Egan via Tedium on October 11, 2018

Two Ways of Looking at the Bisbee Deportation

A century-old image and the film it inspired.
by Katherine Benton-Cohen, Robert Greene via Lapham’s Quarterly on August 30, 2018

How John Wayne Became a Hollow Masculine Icon

The actor’s persona was inextricable from the toxic culture of Cold War machismo.
by Stephen Metcalf via The Atlantic on November 9, 2017

Sexism and Male Voyeurism Have Been Intertwined Throughout Movie History

Harvey Weinstein and the history of the male cinematic gaze.
by David Thomson via Vox on October 19, 2017

Who Was the Most Prolific Black Filmmaker of the Silent Film Era?

Who was the most prolific African American filmmaker of the silent film era? That’s a question that has us asking, “were there any?”
by Stephanie Weber via Atlas Obscura on February 16, 2016
Orson Welles

A Hundred Years of Orson Welles

He was said to have gone into decline, but his story is one of endurance—even of unlikely triumph.
by Alex Ross via The New Yorker on November 30, 2015
Robed Ku Klux Klan members on horseback, in a scene from "Birth of a Nation."

First Movie in the White House: ‘Birth of a Nation’

A book traces how the 1915 film reshaped cinema, fueled white supremacy, and sparked protests, censorship battles, and lasting cultural debate.
by J. Hoberman via London Review of Books on February 12, 2009
Director Edwin Carewe and studio owner Louis B. Mayer on a film set.

Moguls: Did the Jews Invent Hollywood?

Anti-Hollywood rhetoric often echoed anti-Jewish stereotypes. Carr shows how fears of Jewish “control” shaped debates over movies, culture, and politics.
by J. Hoberman via London Review of Books on March 7, 2002
Oscar Micheaux on set in 1923

Building an Empire

On the pioneering and problematic career of Oscar Micheaux.
by J. Hoberman via London Review of Books on July 19, 2001
Directors Sarah Botstein and Ken Burns look at a bust of George Washington

Ken Burns’s Wake-Up Call

Ken Burns’s newest docuseries may have its shortcomings, but others looking to tell the story of the Founding could learn from his attention to detail.
by Susan Brynne Long via Law & Liberty on December 15, 2025

How the Story of the American Revolution Is Misunderstood

Ken Burns’s new documentary unpacks the Revolutionary War—and explains why history doesn’t repeat, even if human nature never changes.
by Ken Burns, Lex Pryor via The Ringer on November 20, 2025
Ken Burns and Sarah Botstein

“A Story We Think We Know”: Ken Burns on The American Revolution

Burns and co-director Sarah Botstein discuss their six-part, 10-year labor of love, which finally makes it to PBS on November 16.
by Ken Burns, Michael Tomasky, Sarah Botstein via The New Republic on November 11, 2025
Screen capture of Robert Redford in the film "Sneakers"

Robert Redford, Environmentalism, and the Most Prescient Movie Ever Made

Redford’s legacy as an environmental activist and his 1992 film "Sneakers" reveal his foresight on climate, politics, and surveillance.
by Dave Levitan via Gravity Is Gone on September 16, 2025
Painting of Ancient Rome, by Giovanni Paolo Panini, 1757.
partner

All the World’s America’s Stage — Even Ancient Rome

Gladiator and Gladiator II have little to do with the Roman past. But they have a great deal to do with the American present.
by Jessica Clarke via HNN on December 3, 2024
Virginia Tracy.

Is Virginia Tracy the First Great American Film Critic?

The actress, screenwriter, and novelist’s reviews and essays from 1918-19 display a comprehensive grasp of movie art and a visionary sense of its future.
by Richard Brody via The New Yorker on November 25, 2024
Screen shot from Carrie in which a bloody hand grabs a girl.

The Startling History of the Jump Scare

From 1942's "Cat People" to cerebral jolts in "Hereditary" and "Get Out," this cinematic scare tactic still shocks.
by Gavia Baker-Whitelaw via Atlas Obscura on October 28, 2024
Characters in the 1934 film "The Thin Man."

Fools in Love

Screwball comedies are beloved films, but for decades historians and critics have disagreed over what the genre is and which movies belong to it.
by Andrew Katzenstein via New York Review of Books on August 29, 2024
From left, Sam Warner, Harry M. Warner, Jack L. Warner, and Albert Warner.

Are Hollywood’s Jewish Founders Worth Defending?

Jews in the industry called for the Academy Museum to highlight the men who created the movie business. A voice in my head went, Uh-oh.
by Michael Schulman via The New Yorker on July 17, 2024
Richard Dreyfuss plays shark expert Hooper in Steven Spielberg’s classic 1975 film, “Jaws.”

The Stories Hollywood Tells About America

How three movies set on the Fourth of July reproduce popular myth, but reveal even more through what they leave unsaid.
by Emily Tamkin via New Lines on July 4, 2024
Four Black Marvel villains.

Marvel's Black Villain Era

The question of villainy has always been a complicated issue for African Americans in film.
by Brandon David Wilson via RogerEbert.com on June 21, 2024
Person in a red veil.

Connecting with Trans History, Rebellion, and Joy, in “Compton’s 22”

Transgender people's reactions to watching oral histories of the legacy of a 1966 riot in the Tenderloin that was nearly lost to history.
by Drew de Pinto via The New Yorker on June 5, 2024
Still from Pretty Poison (1968).

The All-American Crack-Up in 1960s Hollywood Cinema

Starting in the 1960s, more and more Hollywood films depicted an increasingly violent and alienated American society quickly losing its mind.
by Eileen Jones via Jacobin on May 24, 2024
Three men fight on a rooftop, above a large city on a river.

The Golden Age of the Paranoid Political Thriller

On the grand tradition of movies reflecting a deep distrust of those in charge.
by Keith Roysdon via CrimeReads on March 25, 2024
Harry Smith pointing finger upward

Outsider’s Outsider

At once famous and obscure, marginal and central, Harry Smith anticipated and even invented several important elements of Sixties counterculture.
by J. Hoberman via New York Review of Books on February 28, 2024
Silhouette of Oppenheimer wearing a fedora.

How Do We Know the Motorman Is Not Insane?

Oppenheimer and the demon heart of power.
by James Robins via The Dreadnought on December 20, 2023
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