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Viewing 31–60 of 121 results.
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The Melville of American Painting
In a new exhibit, Winslow Homer, once seen as the oracle of the nation’s innocence, is recast as a poet of conflict.
by
Susan Tallman
via
The Atlantic
on
April 6, 2022
Man On A Mission
A review of ”Man Ray: The Artist and His Shadows” by Arthur Lubow.
by
Brooke Allen
via
The New Criterion
on
March 1, 2022
It’s Time for Some Game Theory
Experiencing history in Assassin’s Creed.
by
Caroline Wazer
via
Lapham’s Quarterly
on
November 8, 2021
Who Is the Enslaved Child in This Portrait of Yale University's Namesake?
Scholars have yet to identify the young boy, but new research offers insights on his age and likely background.
by
Nora McGreevy
via
Smithsonian
on
October 15, 2021
Man Ray’s Slow Fade From the Limelight
Man Ray made art that looked like the future. How did he become a minor figure?
by
Jeremy Lybarger
via
The New Republic
on
October 7, 2021
How Americans Re-Learned to Think After World War II
In ‘The Free World: Art and Thought in the Cold War,’ Louis Menand explores the poetry, music, painting, dance and film that emerged during the Cold War.
by
Carlos Lozada
via
Washington Post
on
April 16, 2021
How Should We Understand the Shocking Use of Stereotypes in the Work of Black Artists?
It's about the satirical tradition of 'going there.'
by
Richard J. Powell
via
Artnet News
on
February 16, 2021
Robert S. Duncanson Charted New Paths for Black Artists in 19th-Century America
Deemed “the greatest landscape painter in the West,” he achieved rare fame in his day.
by
Alex Greenberger
via
Art In America
on
January 29, 2021
Stars, Stripes and Dollars
Michael Prodger on the artists who make huge sums for painting the US flag.
by
Michael Prodger
via
The Critic
on
November 30, 2020
The Hotel at the Heart of the Hudson River School
An unearthed guest register from the Catskill Mountain House sheds light on the artists who spent the night there.
by
Rebecca Rego Barry
via
Lapham’s Quarterly
on
November 18, 2020
Knives Out
‘Struggle: From the History of the American People’ charts the strife of early US history in a fierce Cubist/Expressionist style.
by
Sanford Schwartz
via
New York Review of Books
on
November 5, 2020
The Black Collectors Who Championed African-American Art during the U.S. Civil War
Dorsey and Thomas amassed important collections at a time when the future of chattel slavery and Black life hung in the balance of a national quarrel.
by
Jordan McDonald
via
Artsy
on
August 11, 2020
How a Maverick Hip-Hop Legend Found Inspiration in a Titan of American Industry
When LL Cool J sat for his portrait, he found common ground with the life-long philanthropical endeavors of John D. Rockefeller.
by
Alice George
via
Smithsonian
on
July 24, 2020
How Jesus Became White — and Why It’s Time to Cancel That
Nearly a century later, both ‘Head of Christ’ and criticism of its role in enshrining Jesus as white endure.
by
Emily McFarlan Miller
via
Religion News Service
on
June 25, 2020
The Patriot Slave
The dangerous myth that blacks in bondage chose not to be free in revolutionary America.
by
Farah Peterson
via
The American Scholar
on
June 2, 2020
Was Modern Art Really a CIA Psy-Op?
The number of MoMA-CIA crossovers is highly suspicious, to say the least.
by
Lucie Levine
,
Jonathan Harris
,
Christine Sylvester
,
Russell H. Bartley
,
Frank Ninkovich
via
JSTOR Daily
on
April 1, 2020
The True Story of the Awakening of Norman Rockwell
The artist’s Saturday Evening Post covers championed a retrograde view of America. In the 1960s, he had a change of heart.
by
Tom Carson
via
Vox
on
February 19, 2020
The Construction of America, in the Eyes of the English
In Theodor de Bry’s illustrations for "True Report of the New Found Land of Virginia," the Algonquin are made to look like the Irish. Surprise.
by
Ed Simon
via
JSTOR Daily
on
December 4, 2019
The Art of Dignity: Making Beauty Amid the Ugliness of WWII Japanese American Camps
A history of Japanese Internment in America through the art produced from it.
by
Lisa Hix
via
Collectors Weekly
on
December 3, 2019
On Eric Garner, Jean-Michel Basquiat and Police Brutality as American Tradition
“¿DEFACEMENT?,” Inspired by the 1983 Police Murder of Michael Stewart.
by
Johanna F. Almiron
via
Literary Hub
on
September 13, 2019
Chester Harding’s My Egotistigraphy (1866)
Privately published memoir of an American portraitist who grew up in a log cabin and went on to paint presidents and Daniel Boone.
by
Adam Green
via
The Public Domain Review
on
September 10, 2019
California's Mexican-American History Is Disappearing Beneath White Paint
It’s surprisingly hard to protect beloved public art.
by
Sabrina Imbler
via
Atlas Obscura
on
August 28, 2019
The Many Lives of Romare Bearden
An abstract expressionist and master of collage, an intellectual and outspoken activist, Bearden evolved as much as his times did.
by
Nell Irvin Painter
via
The Nation
on
August 26, 2019
The False Narratives of the Fall of Rome Mapped Onto America
Gravely inaccurate 19th-century depictions of the destruction of Rome are used to illustrate parallels between Rome and the U.S.
by
Sarah E. Bond
via
Hyperallergic
on
July 3, 2019
What Maketh a Man
How queer artist J.C. Leyendecker invented an iconography of twentieth-century American masculinity.
by
Tyler Malone
via
Lapham’s Quarterly
on
June 10, 2019
History’s Greatest Horse Racing Cheat and His Incredible Painting Trick
In the sport’s post-Depression heyday, one audacious grifter beat the odds with an elaborate scam: disguising fast horses to look like slow ones.
by
Josh Nathan-Kazis
via
Narratively
on
June 6, 2019
Original Catfluencer: How a Victorian Artist’s Feline Fixation Gave Us the Internet Cat
A story of how Louis Wain single handedly made cats adored by Victorian society through to modern day.
by
Lisa Hix
via
Collectors Weekly
on
May 7, 2019
Atlanta's Famed Cyclorama Mural Will Tell the Truth About the Civil War Once Again
One of the war's greatest battles was fought again and again on a spectacular canvas nearly 400 feet long.
by
Jack Hitt
via
Smithsonian
on
December 1, 2018
The Erotics of Cy Twombly
Poet Joshua Rivkin’s new book about Cy Twombly is “stranger and more personal than a biography.”
by
Catherine Lacey
via
The Paris Review
on
October 17, 2018
My Great-Grandfather the Bundist
Family paintings led me to a revolutionary society my mother’s grandfather was a member of and whose story was interwoven with Eastern European Jews.
by
Molly Crabapple
via
New York Review of Books
on
October 6, 2018
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