Cover of Ned Blackhawk's book; a pole with feathers attached is next to the title, "The Rediscovery of America"

The Promise and Perils of Synthetic Native History

Over the past year, two prominent historians have invited readers to rethink the master narrative of US history.
Greek philosopher sitting at a desk and looking at a laptop.

History, Fast and Slow

Two new books model radically different ways of studying the past.
Drawing of George Washington Williams

George Washington Williams’ "History of the Negro Race in America" (1882–83)

A work of millennial scope by a self-taught African-American historian.
Andrea Casali: The Personification of History Writing on the Back of Time, early 1760s

Ego-Histories

The more that historians make their own experiences an explicit part of their work, the harder it will become to let the sources speak clearly.
Two Pueblo people hold an American flag at the Ceremonial Cave of the Frijoles Canyon in New Mexico.

Without Indigenous History, There Is No U.S. History

It is impossible to understand the U.S. without understanding its Indigenous history, writes Ned Blackhawk.
The image displays two duplicate portraits of Adam Smith. One is upside down.

The Mysteries of Adam Smith

How to understand Adam Smith’s politics.
Drinking fountain on the county courthouse lawn, labeled "colored," in black and white.

Racism as Theory: A Historiography of White Supremacy Ideology

An overview of historical scholarship and socio-cultural developments in America to explain how racism became institutionalized against Black Americans.
Watercolor painting of enslaved people walking barefoot on a forced march, with white men on horseback at the front and back of the line.

Reparative Semantics: On Slavery and the Language of History

Scholarly accounts of slavery have been changing, but these correctives sometimes say more about historians than the historical subjects they're writing about.
Statue of Stonewall Jackson, on its side in slings and propped up by tires, in front of its graffiti-covered pedestal.

What the 1619 Project Got Wrong

It erases the fact that, for the first 70 years of its existence, the US was roiled by intense, escalating conflict over slavery – a conflict only resolved by civil war.
Red binder pulled from row of blue binders

Serendipity in the Archives

Or, a lost freedom story I found while looking for something else.

Why the History of the Vast Early America Matters Today

There is no American history without the histories of Indigenous and enslaved peoples. And this past has consequences today.
Painting of the Continental Congress

The Pursuit of Happiness: New Approaches to the American Revolutionary Past

A new way to think about the American Revolution.
107th U.S. Colored Troops posing for a picture

People, Not “Voices” or “Bodies,” Make History

We need to do far more than “give voice to the voiceless" to win justice.
Signing of the Declaration of Independence.

Against the Consensus Approach to History

How not to learn about the American past.
"Join or Die" snake political cartoon.

The Iron Cage of Erasure: American Indian Sovereignty in Jill Lepore’s 'These Truths'

Lepore’s framework insists that the “self-evident” truths of the nation’s founding were anything but.
Artistic photo with american flags

Richard Hofstadter’s Discontents

Why did the historian come to fear the very movements he once would have celebrated?
A library reading room with two stories of open stacks, walkways and ornate railings.

Andrew Dickson White and America’s Unfinished (French) Revolution

How the Civil War-era historian effectively invented a distinctly American tradition of historiography.
Lithograph depicting police attacking African Americans in New Orleans, 1874

On Riots and Resistance

Exploring freedpeople’s struggle against police brutality during Reconstruction.

1619 and All That

The Editor of the American Historical Review weighs in on recent historiographical debates around the New York Times' 1619 Project.

The Battle to Rewrite Texas History

Supporters of traditional narratives are fighting to keep their grip on the public imagination.